1 00:00:00,714 --> 00:00:09,174 All right. So welcome. Today's presentation is on Adobe Premiere Resh, which is a video editor. 2 00:00:09,174 --> 00:00:14,304 It's a very slick. Great to get first get into video editing, 3 00:00:14,304 --> 00:00:24,414 but also can be great for creating videos on the fly very quickly because it's available through mobile applications as well as on the desktop. 4 00:00:24,414 --> 00:00:29,724 So we will go ahead and get started with the day we premiere Rush. To type. 5 00:00:29,724 --> 00:00:34,044 Put the link again in the chat for everybody. 6 00:00:34,044 --> 00:00:43,404 But to get to today's presentation, you can just click the link here and that will get you to my Spart page here on a divisionary rush. 7 00:00:43,404 --> 00:00:49,134 Make sure that you get the link and use it, because there are a lot of resources here. 8 00:00:49,134 --> 00:00:51,504 We won't have time to go over all of them, 9 00:00:51,504 --> 00:01:01,104 but that you will likely want to refer back to because there's ones for videography video editing techniques. 10 00:01:01,104 --> 00:01:06,744 We're really mostly going to be doing hands on digging into Adobe premiere rush today. 11 00:01:06,744 --> 00:01:12,924 So I would encourage you to check out the rest of the resources and links on the page when you're ready, 12 00:01:12,924 --> 00:01:18,414 when you're creating a project yourself on your own and that sort of thing. 13 00:01:18,414 --> 00:01:21,204 You guys will get those who register for the workshop. 14 00:01:21,204 --> 00:01:32,004 You will get a follow up email tomorrow that will have the presentation link, as well as a link to a video recording of the of the session. 15 00:01:32,004 --> 00:01:37,644 And also a follow up survey. So please feel free to give us some feedback. We're always looking to improve. 16 00:01:37,644 --> 00:01:38,964 My name is Chelsea Hooper. 17 00:01:38,964 --> 00:01:46,974 I'm an instructional technology specialist in the Innovation and Research Commons here in the Albert Library on the first floor. 18 00:01:46,974 --> 00:01:56,034 We have done some recent renovations and we support all kinds of multimedia and all kinds of we have all kinds of great facilities, 19 00:01:56,034 --> 00:02:03,054 computing and that kind of stuff. So today's presentation is on Adobe Premiere Rush. 20 00:02:03,054 --> 00:02:11,004 In order to get access to the rush, it's best to have an Adobe I.D. You sign up for your Adobe idea here at the Web site. 21 00:02:11,004 --> 00:02:13,884 If you are a student, if you're faculty, your staff, 22 00:02:13,884 --> 00:02:22,134 you contact your I.T. contact and then you ask for a subscription to Adobe and it's a at a discounted rate. 23 00:02:22,134 --> 00:02:26,424 And that rate comes out of your department's funding. 24 00:02:26,424 --> 00:02:32,104 I would recommend downloading the Adobe Creative Cloud desktop app to help you manage all of your applications as you work with. 25 00:02:32,104 --> 00:02:37,034 Need to be creative cloud. Also, before we get into Premier Rush and video, 26 00:02:37,034 --> 00:02:47,034 I'd say a side note that Adobe Spark is another great application that is very is a very good sort of beginner, user friendly site. 27 00:02:47,034 --> 00:02:54,264 It has mobile applications as well as Web based platform that you can use. 28 00:02:54,264 --> 00:03:00,624 I'm using a spark page today. It helps me create a very simple Web page that I can use as a presentation page. 29 00:03:00,624 --> 00:03:05,424 And it's very handy because I can update the information and then republish it. 30 00:03:05,424 --> 00:03:09,984 And whoever has the link gets the updated information. So it's very handy. 31 00:03:09,984 --> 00:03:15,894 Very, very simple. Web page doesn't use HDMI. L specifically uses a dhobis design engine, so there's some limitations. 32 00:03:15,894 --> 00:03:23,724 But this tells you a little about Adobe Spark. I've mentioned Adobe Spark because it's great to begin creating graphics. 33 00:03:23,724 --> 00:03:30,714 So if you wanted to create specific graphics such as an infographics to go into your video that you're creating, 34 00:03:30,714 --> 00:03:34,494 this could be a good option because you could use Spark to create that image. 35 00:03:34,494 --> 00:03:38,124 You could also use something like Photoshop and designer illustrator, of course. 36 00:03:38,124 --> 00:03:43,464 But if you're not quite ready to jump into those yet, Spark is a good beginning to start with. 37 00:03:43,464 --> 00:03:48,024 And then you can download it as a JPEG for video. That's what we will recommend. 38 00:03:48,024 --> 00:03:51,174 And then you could put that into your video as well. 39 00:03:51,174 --> 00:04:03,414 So Rush Russ's Russia's is a fantastic application that Adobe developed a Debby premier Rush is there sort of starter video editor. 40 00:04:03,414 --> 00:04:08,214 But it's very powerful, actually, for being a simple video editor. 41 00:04:08,214 --> 00:04:12,594 The next step up with the Adobe Creative Call will be Adobe Premiere Pro. 42 00:04:12,594 --> 00:04:17,784 What is so nice about learning Roshe and getting started in it is first of all, 43 00:04:17,784 --> 00:04:26,184 it does have mobile applications that are available so you can begin creating on your mobile device if your device meets the requirements. 44 00:04:26,184 --> 00:04:33,204 So here's the technical requirements here so you can check that and see if yours can handle Premier Raasch. 45 00:04:33,204 --> 00:04:37,464 Video editors tend to take a lot of processing. So that's the issues. 46 00:04:37,464 --> 00:04:42,114 Does your device have enough processing powers and handle it? So be sure you check that. 47 00:04:42,114 --> 00:04:46,614 But then what that allows you to do is the device on which you already have a camera. 48 00:04:46,614 --> 00:04:55,244 You can begin the project there. And then if you have signed into your Adobe I.D. on your mobile device, then you can save. 49 00:04:55,244 --> 00:05:02,804 Your project to the Creative Cloud. And then when you go to your desktop and open up Premier Russia on your desktop or your laptop, 50 00:05:02,804 --> 00:05:10,244 if you've got if you're signed into Adobe Creative Cloud there to your project will just automatically be there and you can continue editing. 51 00:05:10,244 --> 00:05:16,874 So it's a really neat way to sort of begin getting a project started in a mobile device which already has the camera built in. 52 00:05:16,874 --> 00:05:23,134 So you're already there or you can very quickly just created on your mobile device and send it out. 53 00:05:23,134 --> 00:05:30,734 And that way you've got it super handy. This is a little video you can watch later about the specific features of Premier Rush. 54 00:05:30,734 --> 00:05:36,464 It talks about that that I thought was just mentioning a little bit. So if you want to go more in-depth with that, 55 00:05:36,464 --> 00:05:41,714 there's also some resources here that if you want to go further with Premier Rush today, we're going to get started. 56 00:05:41,714 --> 00:05:47,114 I'm going to go through most of the features, but there's a few you know, you can take it a little further if you wanted to, 57 00:05:47,114 --> 00:05:53,744 and there's more here or there's also ways that you can use the features of Rush kind of more creatively. 58 00:05:53,744 --> 00:05:59,444 And that's what some of these videos are as well. There are also links to the Adobe film, right? 59 00:05:59,444 --> 00:06:07,214 Premium rush, learning support, support tutorials that are here. And if you need some practice files, you shouldn't need them. 60 00:06:07,214 --> 00:06:13,244 If you're going to either follow along either today or if you're gonna watch the recording maybe later 61 00:06:13,244 --> 00:06:22,304 in or tried on your own later premiere Rush has some sample media already installed that it comes with. 62 00:06:22,304 --> 00:06:30,674 So you don't really need it. But if you wanted more. I've got practice files here and a one drive folder that you can access. 63 00:06:30,674 --> 00:06:39,044 And there's also a storyboard template. We have a storyboard template also on our innovation and research comments, instructional content page. 64 00:06:39,044 --> 00:06:45,194 It's posted there as well. So if you lose this link, you know, you can just look on our Web site. 65 00:06:45,194 --> 00:06:48,674 A storyboard is essentially a plan for your video. 66 00:06:48,674 --> 00:06:57,074 So just like you wouldn't sit down and just start writing a research paper or a big essay, you wouldn't just start making a video. 67 00:06:57,074 --> 00:07:01,784 Right. You have to plan it out. You have to have some ideas about what you want in the video. 68 00:07:01,784 --> 00:07:10,154 So it's essentially an outline and you can a story where it can be something as simple as a sketched out outline of what you want. 69 00:07:10,154 --> 00:07:15,704 It can be more involved and really contains specific shots that you want and 70 00:07:15,704 --> 00:07:22,094 very descriptive scenes of of what you want to try to capture in the video. 71 00:07:22,094 --> 00:07:27,824 It can be fully scripted so you can have an entire script within your storyboard or not. 72 00:07:27,824 --> 00:07:34,604 You can just sort of sketch out what topics you want to cover. It depends on the type of video you're creating. 73 00:07:34,604 --> 00:07:39,674 How formal does it need to be? What kind of content? What how long is it going to be? 74 00:07:39,674 --> 00:07:45,974 The length really determines it. Sort of the shorter it is typically, the more scripted it has to be. 75 00:07:45,974 --> 00:07:50,504 Because you have to fit a lot into one minute, for example. 76 00:07:50,504 --> 00:07:55,724 So it's a good idea to plan. And then this video talks about the rule of thirds. 77 00:07:55,724 --> 00:08:01,814 This is just a good idea to follow when you are creating video or when you're creating pictures. 78 00:08:01,814 --> 00:08:07,154 The rule of thirds essentially says says that humans like to see things divided up into threes. 79 00:08:07,154 --> 00:08:13,394 And it's makes it much more interesting when you'd make a photo shot with with the main object in 80 00:08:13,394 --> 00:08:21,764 one of those crosshairs of the third's or in at least one of those third sections of of the screen. 81 00:08:21,764 --> 00:08:26,534 And so that's why a lot of cameras even have a grid that you can pull up to help you with that. 82 00:08:26,534 --> 00:08:28,304 So you can kind of make things more interesting, 83 00:08:28,304 --> 00:08:33,204 because if I shot a picture of this windmill and it was just straight in the middle, that would be very boring. 84 00:08:33,204 --> 00:08:36,854 It would be basically like a mug shot of the windmill. 85 00:08:36,854 --> 00:08:43,604 Very boring. But if I sort of shifted and my eye begins to lead sort of up this fence towards the windmill. 86 00:08:43,604 --> 00:08:48,224 Now, I've got a little bit of a story. I'm kind of being drawn in. So this talks about that. 87 00:08:48,224 --> 00:08:55,874 I encourage you to check that out, just as when you're thinking about any type of projects, especially when you're planning a video. 88 00:08:55,874 --> 00:09:02,354 You have to be really organized. You have to think about how am I going to capture good light and sound? 89 00:09:02,354 --> 00:09:07,214 I should have a storyboard in place. The concept of B roll is important, too. 90 00:09:07,214 --> 00:09:18,074 So B roll is like when you watch a documentary, for example, and you see maybe they're interviewing an expert on the topic that the documentary is on. 91 00:09:18,074 --> 00:09:25,844 Well, a great way to sort of create more interest is to whatever that that expert is talking about in their interview, 92 00:09:25,844 --> 00:09:30,704 capture some clips of whatever that expert is talking about. 93 00:09:30,704 --> 00:09:41,734 And while you continue the audio in one track of the video, Ed, you bring in the second B roll of imagery of whatever that person is talking about. 94 00:09:41,734 --> 00:09:48,494 So now we're seeing whatever that person is talking about, like say it's elephants, they're an expert on elephants. 95 00:09:48,494 --> 00:09:53,414 And then you see some shots of elephants in a field while this person's talking about them. 96 00:09:53,414 --> 00:09:56,444 That is sort of makes it more. Staying, it's ideal. 97 00:09:56,444 --> 00:10:05,474 It helps you create more sort of academic type of video projects for your courses and more sort of documentary style and that kind of thing. 98 00:10:05,474 --> 00:10:13,154 So that's what B role is. And we'll learn how to do that today. Just like with any project, it's a great idea to develop a good workflow. 99 00:10:13,154 --> 00:10:16,844 Maybe use box. You have access to box through Auburn. 100 00:10:16,844 --> 00:10:26,204 It's a basically unlimited storage. So it's great for first storing all of your video files or one drive is another option. 101 00:10:26,204 --> 00:10:32,814 It's a good idea to get in the habit of naming your files properly instead of just leaving them as image, blah, blah, blah or whatever. 102 00:10:32,814 --> 00:10:34,394 Know some random number. 103 00:10:34,394 --> 00:10:41,504 If you can get to where you have taken some clips and then you can organize them in a folder and maybe you can name them appropriately, 104 00:10:41,504 --> 00:10:49,334 like seeing one or describing whatever it is, like elephant too, or whatever interview three and so on. 105 00:10:49,334 --> 00:10:52,814 Then it's going to be super easy for you to pull your project together. 106 00:10:52,814 --> 00:11:00,314 If you go through that process of taking a little time to organize on the front end, we'll save you a lot of time on the other end. 107 00:11:00,314 --> 00:11:06,194 And then here's also the story. Book, storyboard, template, download, just so you can see the idea of it. 108 00:11:06,194 --> 00:11:09,404 You can be very specific as far as what shot is it. 109 00:11:09,404 --> 00:11:15,734 But if you're working with a team of people or you want to send somebody out to get images or clips and that sort of thing. 110 00:11:15,734 --> 00:11:20,144 This can be a good thing to hand to them to say. These are the shots I want you to go get. 111 00:11:20,144 --> 00:11:24,224 So if you're working with a group of classmates or with a team of people, 112 00:11:24,224 --> 00:11:29,594 and then you can have your action or your dialog or your script of whatever happening is happening here. 113 00:11:29,594 --> 00:11:37,324 And then a lot of times people will even sketch right here what's happening about where is the object that I'm shooting, 114 00:11:37,324 --> 00:11:43,034 that kind of thing, especially if you're working with somebody else who's doing the shooting for you. 115 00:11:43,034 --> 00:11:46,034 This is just some basic lighting. 116 00:11:46,034 --> 00:11:52,524 When you are if you are able to control the lighting in the space where you are, so say you're setting up an interview. 117 00:11:52,524 --> 00:12:00,374 This if this is your camera, then it's a good idea to try to have the light projecting in those three areas. 118 00:12:00,374 --> 00:12:07,214 If possible, if not possible, just do your best to try to get the subject as well lit as possible. 119 00:12:07,214 --> 00:12:15,584 That's really going to help you. Shooting outside, you know, when it's sunny is a good idea, too, but not directly into the sun. 120 00:12:15,584 --> 00:12:23,534 Right. So making sure your back is to the side. If you're the photographer and then there's some tips for how to get good lighting. 121 00:12:23,534 --> 00:12:28,964 So those are ideas as well. And then this is a concept to be real and shows you some examples to go into that. 122 00:12:28,964 --> 00:12:31,804 So encourage you to check that out later. 123 00:12:31,804 --> 00:12:37,714 This is a screenshot of the interface of Rush, but it's really for you to refer to later as sort of a cheat sheet. 124 00:12:37,714 --> 00:12:44,344 So we'll skip that for now. And then what we're gonna do is we're gonna go ahead and jump in to Adobe Premiere Rush. 125 00:12:44,344 --> 00:12:53,104 And this is kind of our lesson plan for today. So if you want to go back and try this on your own or pause the video, go open, rush and follow along. 126 00:12:53,104 --> 00:12:58,354 Feel free to do that. OK. So I'm going to go ahead and open up rush here. 127 00:12:58,354 --> 00:13:03,574 When you first open up Rush, get it moved over here just a minute. 128 00:13:03,574 --> 00:13:07,744 It will open up and it might give you the opportunity to take a tour. 129 00:13:07,744 --> 00:13:12,154 So I'm going to go ahead and start the tour again so you can see what that would look like. 130 00:13:12,154 --> 00:13:14,164 I would encourage you to do this on your own. 131 00:13:14,164 --> 00:13:21,484 If you haven't used Rush before, take them one minute, two or and it'll just kind of refresh your memory about what we talked about today. 132 00:13:21,484 --> 00:13:28,054 And if you're trying to teach other people, say you have colleagues or classmates that you're working with, 133 00:13:28,054 --> 00:13:33,124 you can encourage them to go through the tour and then they'll have a decent idea of how to use Rush. 134 00:13:33,124 --> 00:13:38,524 So let's just give this one a quick word and call this one simple nine. 135 00:13:38,524 --> 00:13:43,574 So it's going to walk us through how do we even create something very, very quick and rush? 136 00:13:43,574 --> 00:13:50,734 So we're gonna hit next. And then it wants us to select the media. In this case, we're using sample media that Rush already came with. 137 00:13:50,734 --> 00:13:57,904 And so let's go ahead and just add our media and your your screen might look slightly different here if you're on a Mac. 138 00:13:57,904 --> 00:14:03,244 That's OK. There will be some sample media. There is just the media is slightly different, which is not a problem. 139 00:14:03,244 --> 00:14:10,114 And then we're gonna add the media to the sequence. So we're gonna click create depending on how long your clips are at this point. 140 00:14:10,114 --> 00:14:18,304 This could take a minute or two. So be patient and let it run. And then they want us to hit play to see how our media is together. 141 00:14:18,304 --> 00:14:22,294 You should be able to hear the audio. Just great. So now we can see are we can. 142 00:14:22,294 --> 00:14:26,764 This is our preview screen. Let's go over on. Now they want us to split a clip. 143 00:14:26,764 --> 00:14:32,464 So if we move our play head where we want to cut our clip, then we're gonna click on the scissors. 144 00:14:32,464 --> 00:14:37,414 You can also hit S on the keyboard to do that, to split the clip. 145 00:14:37,414 --> 00:14:44,824 And now it wants us to practice rearranging them. So sometimes you might want to have like a preface of a clip at the beginning. 146 00:14:44,824 --> 00:14:48,344 You kind of tease it and then you show the rest at the end. 147 00:14:48,344 --> 00:14:52,804 That's could be something you wouldn't want to do. Now it's asking us to trim the clips. 148 00:14:52,804 --> 00:14:59,884 This means to make it shorter or longer. So in this case, we can only make a shorter because that's all the video we have. 149 00:14:59,884 --> 00:15:08,374 So we can click and drag and make it shorter. And now it's telling us, just try a couple of editing tools like the color icon. 150 00:15:08,374 --> 00:15:13,684 So this particular clip is highlighted. So let's see what happens when we choose a different effect. 151 00:15:13,684 --> 00:15:19,144 So the effect is just applied to only that clip that was selected. 152 00:15:19,144 --> 00:15:23,854 And then we can explore filters and choose all kinds of different filters. If we want to. 153 00:15:23,854 --> 00:15:31,174 We can add a transition. So let's add a transition. That's how, you know, one clip moves to the next. 154 00:15:31,174 --> 00:15:36,964 And we have lots of options. Now, you might have a slightly different view if you are in Adobe Premiere Rush. 155 00:15:36,964 --> 00:15:41,014 Twenty, twenty, twenty, twenty one has a few updates, more effects. 156 00:15:41,014 --> 00:15:46,384 There's a slow downer with a ramp. And this transition looks a little different. 157 00:15:46,384 --> 00:15:50,554 And the titles look a little different. But this just adding they just added more features. 158 00:15:50,554 --> 00:15:54,784 It's nothing, you know, trit crazy different. So let's add a push. 159 00:15:54,784 --> 00:16:00,154 Right. If we click it, then we add it to both ends of our clips and now we can move. 160 00:16:00,154 --> 00:16:07,084 The play had to play. It shows us where we are in our movie. And then we can hit the play by check out the word. 161 00:16:07,084 --> 00:16:10,864 And now it wants us to add a graphic. So saying move where you want to add a graphic. 162 00:16:10,864 --> 00:16:17,584 Maybe at the beginning you want to add a graphic, right? Like a title. So let's go ahead and add a graphic. 163 00:16:17,584 --> 00:16:22,504 Graphic means it could be a motion graphic. It could be just words. 164 00:16:22,504 --> 00:16:29,324 In this case, we'll do something very simple. We'll do the title. And then once we have chosen our graphical hit ad, 165 00:16:29,324 --> 00:16:35,794 and it will load that template depending on how difficult or how sort of intricate the motion graphic is. 166 00:16:35,794 --> 00:16:41,614 This could take a little time and then we can view our graphic says drag the time line until you see the graphic. 167 00:16:41,614 --> 00:16:45,694 You want to change. OK, so we're on the graphic. OK. 168 00:16:45,694 --> 00:16:51,994 And then we can edit it with customization tools by clicking the graphics icon over here. 169 00:16:51,994 --> 00:16:55,774 And there's all kinds of interesting effects that we can do. 170 00:16:55,774 --> 00:17:05,644 We can change the text color that's showing up here. We can sample color if we wanted to, with that eyedropper tool from the video. 171 00:17:05,644 --> 00:17:10,534 We can add a drop shadow, all kinds of interesting things. We'll just go ahead and hit next. 172 00:17:10,534 --> 00:17:18,334 And then see how our graphic looks. And if we want to change it, we double click inside here and we can just type. 173 00:17:18,334 --> 00:17:23,344 So like my trip, for example. So you just double click and change it there. 174 00:17:23,344 --> 00:17:30,634 The trick is to choose the styling really first and then go an inch and make your changes to your text. 175 00:17:30,634 --> 00:17:36,604 And now the. Doyle's complete. It's going to tell us to save or share this video, so we'll go in it. 176 00:17:36,604 --> 00:17:44,374 Got it. But I'm going to show you that share screen. We're not actually going to save it, but this sort of completes the beginning tutorial. 177 00:17:44,374 --> 00:17:48,664 So on the share screen, it's defaulting to sharing locally. 178 00:17:48,664 --> 00:17:55,084 So this means save your file as an MP for which is what we want to your computer. 179 00:17:55,084 --> 00:17:59,764 OK. And you can tell it where you want to save. You could change that location here. 180 00:17:59,764 --> 00:18:05,564 You would give it a name here. So here's where you would name your final file. 181 00:18:05,564 --> 00:18:10,474 And call it whatever you want. Here you can tell how much is file size. 182 00:18:10,474 --> 00:18:18,394 It is. And then there are some advance settings here. So if you needed something and a little bit higher resolution. 183 00:18:18,394 --> 00:18:26,304 Now, understand that you're limited to the resolution also of your original clips that you've taken. 184 00:18:26,304 --> 00:18:34,474 So pay attention to that. If your clips are not taken in full HD, then when you scale up, it's not going to look good. 185 00:18:34,474 --> 00:18:40,204 So 720 is typically good for Internet. Basically is what you will want. 186 00:18:40,204 --> 00:18:44,704 And then you can tell it a higher quality or whatever you want there. 187 00:18:44,704 --> 00:18:53,854 And then you would hit export. Now, if you have the rights to share immediately to social media without having someone prove it first and so on, 188 00:18:53,854 --> 00:18:59,854 then you could share to your social media platforms. That's one strength of rush. 189 00:18:59,854 --> 00:19:03,694 Is that because it's on a mobile device, you can capture something really quickly. 190 00:19:03,694 --> 00:19:09,814 And then if you have rights to that, you could have those turned on and have the accounts already set up. 191 00:19:09,814 --> 00:19:16,714 Share right away to your social media platform. But if you have a certain workflow, you have to go through, you know, 192 00:19:16,714 --> 00:19:24,604 definitely save it first and do whatever workflows assigned to your department or for your class or whatever for class. 193 00:19:24,604 --> 00:19:28,684 You would still save it as MP for you would follow whatever your instructor's directions are. 194 00:19:28,684 --> 00:19:34,924 So they want you to upload it to a box folder that they've shared with you or Panopto. 195 00:19:34,924 --> 00:19:40,084 You can upload this to Panopto when you're done. You can do that for faculty and staff, too. 196 00:19:40,084 --> 00:19:48,814 And that's another thing you can do with Panopto. And those other video hosting sites is you can add captions right now. 197 00:19:48,814 --> 00:19:53,884 Premier Rush does not really have a good way for you to put captioning in you. 198 00:19:53,884 --> 00:19:58,054 What you could what you could do to solve that problem is, first of all, 199 00:19:58,054 --> 00:20:04,594 you can export it here and then ask for the captions to be done in Panopto or YouTube. 200 00:20:04,594 --> 00:20:12,544 If you have, like an official YouTube account that you use, those captioning services are actually pretty good. 201 00:20:12,544 --> 00:20:16,744 And you can do corrections if you need to in those hosting areas. 202 00:20:16,744 --> 00:20:25,624 Vimeo has that, too, as well. And then the other thing that you can do, if you wanted them to be within the video file before you upload, 203 00:20:25,624 --> 00:20:31,174 is you can bring in a debate premiere Rush project into Premier Pro. 204 00:20:31,174 --> 00:20:36,544 It's built on the same code so you can open a premiere Rush project and premier pro. 205 00:20:36,544 --> 00:20:41,604 And then there are options to include captioning there within premier pro. 206 00:20:41,604 --> 00:20:46,924 So if that's the only thing use pro for after because you're used to rush, that's OK. 207 00:20:46,924 --> 00:20:53,854 So those are the options. They are some not going to export right now because rendering can take a bit of time. 208 00:20:53,854 --> 00:21:00,574 But that's the essences of getting started with Rush as far as going through the little mini tutorial. 209 00:21:00,574 --> 00:21:07,564 So what I'd like to do next is to kind of start a new project from scratch because that's what you 210 00:21:07,564 --> 00:21:13,384 would be doing and go a little bit more into depth of where you can pull your media files from. 211 00:21:13,384 --> 00:21:16,644 What are some more features of Rush that you can use? 212 00:21:16,644 --> 00:21:22,894 But that really gives you the essences of just kind of barely getting started with Rush to put a project together. 213 00:21:22,894 --> 00:21:28,474 So. So we'll go ahead and begin with a new project here. 214 00:21:28,474 --> 00:21:33,124 So if we adjust up and rush for the first time and we didn't do the tour, we've already done the tour. 215 00:21:33,124 --> 00:21:38,494 Now we're ready to make a project. We start by doing create a new project. 216 00:21:38,494 --> 00:21:44,044 And then down here we would give it a title. So we'll go ahead and do that in just a minute. 217 00:21:44,044 --> 00:21:52,834 One thing I want you to note on this home screen of Premiere Rush is that you have an option down here to sync with Creative Cloud. 218 00:21:52,834 --> 00:22:00,634 So if you choose this, then everything you do in Rush while you're working will be syncs to your creative cloud online storage. 219 00:22:00,634 --> 00:22:09,844 That is a good thing, because then if you go work on a different computer and you sign into Rush there, you could pull your project from here. 220 00:22:09,844 --> 00:22:13,804 Make sure you've got the same version of Premiere Rush. 221 00:22:13,804 --> 00:22:18,634 It makes it easier, especially if you used an advanced feature of twenty twenty one. 222 00:22:18,634 --> 00:22:24,484 You know, that may not be available in 2020 if you're opening it on a different computer and so on. 223 00:22:24,484 --> 00:22:31,094 And that's what you want to do if your mobile devices too. So when you use the app, you want to make sure creative cloud is turned. 224 00:22:31,094 --> 00:22:38,634 On here, sinking with that and then that way, when you're working in the mobile app, then you want to go to the desktop, your files will be there. 225 00:22:38,634 --> 00:22:41,664 They will just automatically be there. Which is so great. 226 00:22:41,664 --> 00:22:47,124 I'm not going to have out turned on today because I don't want that to slow down my presentation. 227 00:22:47,124 --> 00:22:52,734 It can kind of, you know, make it a little bit laggy, you know, especially when we're zooming at the same time. 228 00:22:52,734 --> 00:22:59,634 So today, I'm not going to turn that on. One other thing you can note when you are creating a new projects. 229 00:22:59,634 --> 00:23:03,324 We're going to call this one sample. Ten is right here. 230 00:23:03,324 --> 00:23:09,744 You have some settings. So the little gear icon, we've become accustomed to that, meaning settings. 231 00:23:09,744 --> 00:23:16,134 Right. So in this case, it means what aspect ratio do you want your video to be? 232 00:23:16,134 --> 00:23:23,424 So typically it's going to default to 69. That's your typical TV laptop screen ratio. 233 00:23:23,424 --> 00:23:33,054 Nine by 16 would be if you're trying to develop something for like Instagram story, OK, or, you know, IPTV, something like that. 234 00:23:33,054 --> 00:23:38,594 And then you have another ratio, four of four by five, which is a little bit shorter. 235 00:23:38,594 --> 00:23:44,874 So that could be like Twitter maybe. And then one to one is typically use in something like Instagram. 236 00:23:44,874 --> 00:23:52,284 But depending on where you want to post your video, you want to think about how is it going to be viewed in the long run? 237 00:23:52,284 --> 00:23:55,254 If it's YouTube and that kind of thing, it's typically going to be this. Right. 238 00:23:55,254 --> 00:24:01,434 Because people landscaped their phones and watch it or they watch it on TV or they watch it on a laptop and so on. 239 00:24:01,434 --> 00:24:06,054 But if you're making something specific for these other platforms, that's what you would do. 240 00:24:06,054 --> 00:24:17,214 Also, in some cases, I've had students create opening it's explicit explanatory videos for their LinkedIn profiles. 241 00:24:17,214 --> 00:24:22,134 And like 30 second little introductory video that could work very well as a one to one. 242 00:24:22,134 --> 00:24:26,604 Just view Sneed a headshot. And what you're talking about and that sort of thing. 243 00:24:26,604 --> 00:24:34,434 So that that could that could work in that case, too. So just kind of depends. Some other amazing settings that are in twenty, twenty one here. 244 00:24:34,434 --> 00:24:38,774 If you create a premier rush project in a different ratio. 245 00:24:38,774 --> 00:24:46,374 So let's say you created a 16 by nine. You can then open that same project in Premier Rush. 246 00:24:46,374 --> 00:24:54,444 Tell it to resize to one of these other sizes. And then you can check this box auto reframe mismatched clips, 247 00:24:54,444 --> 00:25:02,874 or let's say that you got some clips from people and they were taking them with their phone vertical. 248 00:25:02,874 --> 00:25:07,554 Right. So if you if you've got those clips, hopefully you told them not to do that. 249 00:25:07,554 --> 00:25:18,084 Right. Always, you know, as much as you possibly can unless you're trying to film for Instagram, TV or something like that or story or whatever. 250 00:25:18,084 --> 00:25:25,824 You should always film using your video in the landscape position your phone in the landscape position. 251 00:25:25,824 --> 00:25:26,874 OK. 252 00:25:26,874 --> 00:25:36,264 But if that happens or if you want to take a video you created at the larger size and you want to resize it, you can check this out, a reframe box. 253 00:25:36,264 --> 00:25:44,454 And what it will do is it'll find the the main subject here and it will key in on that. 254 00:25:44,454 --> 00:25:52,974 While that whatever action is happening in it will put it inside of that frame as sort of the active part of that particular video. 255 00:25:52,974 --> 00:25:59,004 So it will use A.I. artificial intelligence to sort of figure out what's going on in your video. 256 00:25:59,004 --> 00:26:01,824 And then auto reframe it. 257 00:26:01,824 --> 00:26:09,054 And that also goes for if you get clips, you know, some that are in landscape and some that are in portrait, then you can use that to help you. 258 00:26:09,054 --> 00:26:12,644 You can also do some effects with panning and zooming on photos. 259 00:26:12,644 --> 00:26:18,434 So that's another option as well. You can tell it to when I put a photo into this project. 260 00:26:18,434 --> 00:26:23,004 Then pan and zoom like this call that maybe the Ken Burns effect from the famous 261 00:26:23,004 --> 00:26:27,774 documentarian who sort of incorporated that effect into many of his documentaries, 262 00:26:27,774 --> 00:26:32,544 where you would sort of pan across a photo while he was having a voiceover. Right. 263 00:26:32,544 --> 00:26:37,674 So this is the project setup area. So that's what you're gonna want to make sure you kind of choose first. 264 00:26:37,674 --> 00:26:43,344 Always start out with your sizing first. So we're gonna choose the typical 16 by nine. 265 00:26:43,344 --> 00:26:48,014 And that's gonna be what our project is. And again, we're gonna add some content. 266 00:26:48,014 --> 00:26:55,314 Let's go ahead and add this content and we'll go ahead and hit create. And we're gonna create a movie from scratch. 267 00:26:55,314 --> 00:26:59,754 Now, if you were creating we're using sample media here, 268 00:26:59,754 --> 00:27:07,944 but if you were creating from media that you'd created yourself, you would find that under what they call your media. 269 00:27:07,944 --> 00:27:12,864 Now, it might also be called media browser in 2020. 270 00:27:12,864 --> 00:27:17,624 So if you go to your media and then under sample media, you're going gonna go. 271 00:27:17,624 --> 00:27:24,834 There's the media browser we were looking for. So we go to media browser. This is searching, allowing you to search on your computer. 272 00:27:24,834 --> 00:27:30,934 So if you have things like and noticed that one drive is now an option two, that's great. 273 00:27:30,934 --> 00:27:35,134 So you can put stuff directly into one drive, pull it from one drive. 274 00:27:35,134 --> 00:27:39,754 That sounds like it would be the best option since that's available in the cloud. 275 00:27:39,754 --> 00:27:43,324 You can also save to your creative club files. That would be another option. 276 00:27:43,324 --> 00:27:48,844 Log into Creative Cloud of Light via the desktop. Go to files and upload stuff there. 277 00:27:48,844 --> 00:27:53,284 You can also use box download to your computer. 278 00:27:53,284 --> 00:27:58,804 I kind of prefer that actually, because sometimes when you're pulling things from the cloud, 279 00:27:58,804 --> 00:28:05,634 especially large video files, that has a tendency to possibly get corrupted. 280 00:28:05,634 --> 00:28:12,184 If you're the Internet connection got interrupted or you shut your computer before the transfer was complete. 281 00:28:12,184 --> 00:28:16,444 Something like that. And to me, it's kind of like you have a copy, right? 282 00:28:16,444 --> 00:28:25,504 So if I upload my clips to Box and then I download them to my desktop, then I've I've made a copy of them as they still exist and box. 283 00:28:25,504 --> 00:28:35,884 So something happens very bad to my laptop. You know, in those files I still have that content in box or one drive if you choose to do that. 284 00:28:35,884 --> 00:28:38,914 So those are ideas or file management. 285 00:28:38,914 --> 00:28:47,704 Otherwise, wherever you have your files saved, you would just click here, find your file and then click to add it and so on. 286 00:28:47,704 --> 00:28:52,474 We'll come back to music in just a little bit. Of course, pictures just means pictures on my computer. 287 00:28:52,474 --> 00:28:57,454 And of course, if I have put stuff in the videos folder of my computer, that's where all of these would be. 288 00:28:57,454 --> 00:29:02,374 So this is how you would go find media that you had created and saved yourself and so on. 289 00:29:02,374 --> 00:29:06,274 OK, so we've created our media here. 290 00:29:06,274 --> 00:29:11,044 So let's talk about a couple of other things we can do as far as editing. 291 00:29:11,044 --> 00:29:16,224 OK. And so we talked about a clip splitting clips. 292 00:29:16,224 --> 00:29:21,034 OK. That's also s on the keyboard. And you can use that to very quickly split your clip. 293 00:29:21,034 --> 00:29:25,054 Now, when you switch your clip, it's it looks seamless to us. 294 00:29:25,054 --> 00:29:32,524 Right. So it's just an editing feature. So you're not really doing anything to it yet until you move it or until you choose to shorten these. 295 00:29:32,524 --> 00:29:39,064 This is what's so nice, though, when you're trimming clips here. It's kind of giving us a little preview, which is very nice. 296 00:29:39,064 --> 00:29:46,864 But look what we can do. We can drag it back out. So a W from Re Rush gives you nondestructive edits. 297 00:29:46,864 --> 00:29:53,674 That's very, very nice because maybe you trimmed this and then you realize, oh, my video requirement is three minutes long. 298 00:29:53,674 --> 00:30:00,934 And this is two minutes. Fifty eight seconds. So you can kind of snake a little bit more footage back in there if you needed to, 299 00:30:00,934 --> 00:30:05,374 or your audio clip that you got of a voiceover is a little bit longer. 300 00:30:05,374 --> 00:30:14,794 So it's very, very nice that it's like that. So we talked about B roll to get your your videos up into B roll. 301 00:30:14,794 --> 00:30:18,154 This is basically how you would do it. You would create more tracks. 302 00:30:18,154 --> 00:30:25,204 And you can also see if I can sort of expand these tracks here for you so you can see. 303 00:30:25,204 --> 00:30:32,764 So Premiere Rush lets you do up to four video tracks and up to three audio tracks. 304 00:30:32,764 --> 00:30:37,084 And the video tracks are kind of like pancakes, whatever is on top. 305 00:30:37,084 --> 00:30:42,094 That takes precedent. OK. So, for example, we're watching the video here. 306 00:30:42,094 --> 00:30:49,594 Right. This one takes precedent. But if you noticed, the audio is still here for both of these. 307 00:30:49,594 --> 00:30:56,194 So when you're shooting B rolls, so let's say you've got these people talking about going on the boat and then we've got the picture of the boat here. 308 00:30:56,194 --> 00:31:02,174 Right. So they're talking about it maybe is what's going on. So you can do a couple of different things here. 309 00:31:02,174 --> 00:31:07,444 You can click on this clip and then you could go over to the audio button. 310 00:31:07,444 --> 00:31:10,714 This is how we can sort of manage the audio in each of these tracks. 311 00:31:10,714 --> 00:31:17,404 We can just mute this track if we want to, because then we're only getting that these people are talking. 312 00:31:17,404 --> 00:31:22,514 And that's useful. Then down here, we can see this one. 313 00:31:22,514 --> 00:31:28,234 It's recognized it as voice, which is great. That's what we want it to do, is to recognize it as voice. 314 00:31:28,234 --> 00:31:34,954 You can do some things to clean up your audio, too, in your videos. You can tell it to balance the sound a little bit. 315 00:31:34,954 --> 00:31:41,614 If you you hear it kind of being a little off in your headphones, you can reduce the background noise. 316 00:31:41,614 --> 00:31:50,704 You can also enhance the speech. And sometimes if you've got maybe somebody talking and there's some background noise and they're not very loud. 317 00:31:50,704 --> 00:31:54,814 Both of these can help with that. You can also deal with the different channels. 318 00:31:54,814 --> 00:31:58,984 If you wanted to turn one of them off or on, you don't really need to do that. 319 00:31:58,984 --> 00:32:04,864 But it's there in case you want to do that. And so now we have our meta track. 320 00:32:04,864 --> 00:32:12,124 And you can use the spacebar to stop and start it. And that's very handy for when you're editing and so on. 321 00:32:12,124 --> 00:32:15,634 Let's keep going with audio a little bit since we're here already. 322 00:32:15,634 --> 00:32:24,394 If we wanted to record a voiceover, we can go ahead and click here and we can begin recording a voiceover right inside of Rush, 323 00:32:24,394 --> 00:32:30,924 which is very handy because depending on how you need to structure your video, you might have a specific script. 324 00:32:30,924 --> 00:32:37,704 You need to get through. You might you might start by getting a few clips in there that you know you're going to use. 325 00:32:37,704 --> 00:32:44,274 Then record your voiceover and then go back and match your clips to that voiceover. 326 00:32:44,274 --> 00:32:51,714 So then you can listen to the audio clip here and then adjust all of your clips accordingly and add to them and so on. 327 00:32:51,714 --> 00:32:56,034 So let's back up a minute, though, and talk about this. 328 00:32:56,034 --> 00:33:02,634 B roll. So notice that I want to show you one of the trick with B roll that you can do. 329 00:33:02,634 --> 00:33:08,034 Notice that when we play this video, it automatically just takes overwrite because this one's on top. 330 00:33:08,034 --> 00:33:14,214 OK. And so here's a couple of things you can do, which is kind of neat if we choose this B roll. 331 00:33:14,214 --> 00:33:21,804 Let's say we wanted this to be maybe a picture in picture. Maybe we want to still see some of this other video with this clip selected. 332 00:33:21,804 --> 00:33:26,574 We can go to the transform button over here. 333 00:33:26,574 --> 00:33:31,104 And then what we can do is we can reduce the size. 334 00:33:31,104 --> 00:33:35,274 We can tell it to keep the proportions and reduce the size of this. 335 00:33:35,274 --> 00:33:39,954 And then we can even go up here and click and drag this in the preview window, which is neat. 336 00:33:39,954 --> 00:33:46,194 And then we can also use these sliders to adjust here. We can even change the opacity if we wanted to. 337 00:33:46,194 --> 00:33:53,214 We can even crop it if we decide we don't need the very top part of that, you know, or the bottom, whatever it is. 338 00:33:53,214 --> 00:33:59,124 And we can make a sort of transformation like that. OK, so now we'll replay those, you know. 339 00:33:59,124 --> 00:34:02,034 You've got this picture in picture type deal. OK. 340 00:34:02,034 --> 00:34:10,604 So that's how you can kind of make some adjustments there or, you know, where you get see that effect where maybe the screen is split. 341 00:34:10,604 --> 00:34:15,254 You've got a split screen and two videos are happening at the same time. That's how you basically get that effect. 342 00:34:15,254 --> 00:34:19,464 You could transform both of those videos if you wanted to to get that effect. 343 00:34:19,464 --> 00:34:24,894 So that's B roll. And you can stack them up to four high. 344 00:34:24,894 --> 00:34:28,914 So that's how you can get some sort of interesting things going on in your video. 345 00:34:28,914 --> 00:34:36,774 Going back to audio, let's say that maybe at the beginning or maybe throughout this video, we wanted to add some music. 346 00:34:36,774 --> 00:34:40,704 So there's some new features in twenty twenty one, which are really handy. 347 00:34:40,704 --> 00:34:47,184 There's some audio that's built in similar to like I movie has some audio that's built in. 348 00:34:47,184 --> 00:34:51,204 You could also create your own music and bring that in. 349 00:34:51,204 --> 00:34:53,904 That would be under your media if you did that. 350 00:34:53,904 --> 00:35:01,534 Make sure whatever you do, though, that whatever you're putting into your video is, you know, copyright free. 351 00:35:01,534 --> 00:35:06,864 You know, or is your own or you have a royalty for it or, you know, you created it. 352 00:35:06,864 --> 00:35:14,484 And all of that. We can't just download popular music and then put it in our videos that's know, violating copyright. 353 00:35:14,484 --> 00:35:21,054 So whatever you whatever audio you do use, you want to make sure you're using it ethically and legitimately and so on. 354 00:35:21,054 --> 00:35:27,294 So here you would choose to add audio. So the audio that's built in to premiere Rush completely royalty free. 355 00:35:27,294 --> 00:35:31,284 Completely copyright free. Totally fine for you to use. 356 00:35:31,284 --> 00:35:35,994 You can republish it. All of that. So you're welcome to use it. 357 00:35:35,994 --> 00:35:39,794 How you would like. The only thing they asked is you don't like. Download it. 358 00:35:39,794 --> 00:35:43,434 Remix it. Republish it. And maybe profit from it. 359 00:35:43,434 --> 00:35:47,024 That's what they don't want you to do. But you can download it, use it and rush. 360 00:35:47,024 --> 00:35:55,094 Do whatever you want there. Here's another place where you can add a voiceover right here so you can begin a voiceover here as well. 361 00:35:55,094 --> 00:35:59,734 And once you've got your tracks selected where you want to record the record, the voiceover. 362 00:35:59,734 --> 00:36:07,524 But let's go ahead and go back to audio. So we'll go ahead and maybe see if we can get some audio. 363 00:36:07,524 --> 00:36:16,374 OK, so we'll go ahead and maybe add that little piece of audio. We could search here on topics, we can go to more on soundtrack's. 364 00:36:16,374 --> 00:36:24,294 There's also sound effects. There's also loops. Loops are great as like sort of background, but they're just shorter. 365 00:36:24,294 --> 00:36:28,874 So soundtracks will be sort of more like a full length song. 366 00:36:28,874 --> 00:36:34,314 Loops are going to be maybe like 30 seconds long. Loops are good for like intro and outro. 367 00:36:34,314 --> 00:36:42,714 You don't want to be careful not to put too much music in your video because you don't want to like overload. 368 00:36:42,714 --> 00:36:47,384 Whoever speaking, you know, you want to be able to still hear them and all of that. 369 00:36:47,384 --> 00:36:58,104 So but we'll go ahead and put in this particular little clip here and notice it added it to the first audio track that we have, which is fine. 370 00:36:58,104 --> 00:37:07,044 And we'll go ahead and close that. So we have a bigger screen. And so now when we play it again. 371 00:37:07,044 --> 00:37:15,624 So we hear both. Right. We can hear the audio of the people talking and we can hear the audio of the song. 372 00:37:15,624 --> 00:37:18,864 But maybe the song is too loud. Maybe you want to adjust that. 373 00:37:18,864 --> 00:37:24,384 OK, so what we can do to make some audio adjustments is we can choose the song here. 374 00:37:24,384 --> 00:37:32,064 And this is a fantastic little feature here. We're gonna go to the audio area over here where we can make some changes. 375 00:37:32,064 --> 00:37:35,874 We have options to it's recognized it as music. 376 00:37:35,874 --> 00:37:41,614 So that's perfect. If it doesn't if it doesn't recognize it as the correct thing, you can change it here. 377 00:37:41,614 --> 00:37:50,724 And it's important for that to recognize it as music and for it to recognize the clip as voice because we want it. 378 00:37:50,724 --> 00:37:55,824 This next feature to work properly so we have audio volume is automatically turned on. 379 00:37:55,824 --> 00:37:58,224 There's also auto duck. OK. 380 00:37:58,224 --> 00:38:07,344 So ducking is when you have a video or you have audio and you have a layer of audio that you want to kind of be in the background. 381 00:38:07,344 --> 00:38:08,784 You want to hear it a little bit, 382 00:38:08,784 --> 00:38:15,534 but not too much because someone else is speaking or because there's other audio that you would prefer to hear instead. 383 00:38:15,534 --> 00:38:26,004 So what that what this does is, is it figures out, OK, where there is audio in the video clips on top of it. 384 00:38:26,004 --> 00:38:34,664 And if it senses that there's people talking, it's going to automatically lower that video, that audio level here. 385 00:38:34,664 --> 00:38:43,044 OK. So you can kind of see it put in like this tiny little gray shadow. And that means that it's sort of lowered the audio in that area. 386 00:38:43,044 --> 00:38:47,934 But then it realized nobody's speaking in this one. So they let the volume go up. 387 00:38:47,934 --> 00:38:52,884 And then it came back down when it realized people were talking, OK. And that's audio duck. 388 00:38:52,884 --> 00:38:59,094 We can also manually sort of adjust that and say, oh, you know, I can listen to it and say, oh, that wasn't enough. 389 00:38:59,094 --> 00:39:07,284 I can increase it or that was too much. I want to hear a little bit more of the music. Then I can change the amount that it's being reduced by God. 390 00:39:07,284 --> 00:39:12,164 So now it's just barely. Now we can hear the music a little more. 391 00:39:12,164 --> 00:39:16,194 More now. Do you barely hear in that music? Because we want to hear the people talking. 392 00:39:16,194 --> 00:39:21,864 So that's all we can get. Some fantastic audio sort of, you know, throughout your video or in pieces of it. 393 00:39:21,864 --> 00:39:29,724 Now, just like you can with, you know, other clips, you can trim the audio clip as well. 394 00:39:29,724 --> 00:39:33,294 So that's an option, too, which is really handy. 395 00:39:33,294 --> 00:39:37,974 And you can also apply transitions to it. 396 00:39:37,974 --> 00:39:43,254 OK. So you can apply these types of transitions like a dissolve to the audio. 397 00:39:43,254 --> 00:39:47,794 And that's how you can kind of get it to fade if you would like to. OK. 398 00:39:47,794 --> 00:39:50,934 Yeah. So that's basically like the audio. Of course we will want to go. 399 00:39:50,934 --> 00:39:58,854 It's like to the end here and we can we can use this tool down here, just sort of zoom and expand it while it's a long clip compared to our video. 400 00:39:58,854 --> 00:40:07,434 Right. We need to get all the way down there and we can notice it snaps, which is so nice snaps to the end of it. 401 00:40:07,434 --> 00:40:10,074 So now we've automatically got, you know, 402 00:40:10,074 --> 00:40:18,834 and then we may want to have some sort of like outro or something like that so we can go back and talk about graphics. 403 00:40:18,834 --> 00:40:23,274 So graphics here. Is any kind of titles. We can add them here. 404 00:40:23,274 --> 00:40:27,234 We can click here to add. We can also go over here to add a graphic. 405 00:40:27,234 --> 00:40:30,414 So whatever whichever way you want to do it is fine. 406 00:40:30,414 --> 00:40:37,164 If we click add graphic, it's just gonna pop up over here anyway so we can browse all or we can look just for titles, 407 00:40:37,164 --> 00:40:41,274 we can look just for transition graphics. So that's kind of cool. 408 00:40:41,274 --> 00:40:47,124 In between places, overlay would be these are meant to go on top of video. 409 00:40:47,124 --> 00:40:56,484 So let's maybe try one of these because that's kind of fun. So let's go over to let's uncheck the graphics so you can see that a little bit better. 410 00:40:56,484 --> 00:41:01,344 And then let's go to maybe the end of our video here. 411 00:41:01,344 --> 00:41:06,244 So let me get this here. OK. And then if we click the graphic here. 412 00:41:06,244 --> 00:41:13,634 We can either click and drag it where we want or if we just click that, it's just gonna add it wherever the play head is. 413 00:41:13,634 --> 00:41:17,804 So that goes for other things that you add, like music or photos or whatever. 414 00:41:17,804 --> 00:41:23,264 If you want to have like a little fast ad, you can put the play head where you want the thing to go first, 415 00:41:23,264 --> 00:41:27,524 then click to add it and it will snap it to the front of that play head. 416 00:41:27,524 --> 00:41:34,954 So here's the like and subscribe that we can put it on top of here and we can reduce that a little bit. 417 00:41:34,954 --> 00:41:40,484 OK. So now we've got this overlay that goes more to the video. 418 00:41:40,484 --> 00:41:48,104 There is a we're going to go do a. And so we learned that we can go in and double click and change the text. 419 00:41:48,104 --> 00:41:52,184 There we can go over here and change all of these options. 420 00:41:52,184 --> 00:41:54,984 We have so many options we can change is pretty ridiculous. 421 00:41:54,984 --> 00:42:05,794 So I would encourage you as you're making your videos, maybe develop some sort of branding if it's gonna be sort of like an ongoing series of videos, 422 00:42:05,794 --> 00:42:17,264 pick, you know, one of these titles and stick to it, maybe change, you know, the colors and so on to match your branding that you want. 423 00:42:17,264 --> 00:42:22,184 And, you know, just keep using the same kind of ones. 424 00:42:22,184 --> 00:42:28,244 This is a nice basic title. You know, this is a nice, minimal title. 425 00:42:28,244 --> 00:42:35,594 They have all kinds of titles with background color. You know, if you want all kinds of options, which is great. 426 00:42:35,594 --> 00:42:41,624 And what's nice is they're all customizable. So once you get the clean and fast is very nice. 427 00:42:41,624 --> 00:42:44,804 I like that when a lot of just kind of washes in and it's there. 428 00:42:44,804 --> 00:42:50,024 So if you get too crazy with your titles and Graph in motion graphics, it's going to be distracting. 429 00:42:50,024 --> 00:42:54,654 See what you want to let people know kind of what you're branding is who you are. 430 00:42:54,654 --> 00:42:58,904 You know, maybe at the end how to get in touch with, you know, or what your Web site is. 431 00:42:58,904 --> 00:43:02,744 Stuff like that. So pick like an intro, you know, that's consistent. 432 00:43:02,744 --> 00:43:10,424 Pick an outro that's consistent and maybe save a premier or rush project as a template. 433 00:43:10,424 --> 00:43:14,774 So it's not really like I say, there's not a specific templates type to save, 434 00:43:14,774 --> 00:43:20,984 but just save a premier rush project and for yourself, maybe name it template or something. 435 00:43:20,984 --> 00:43:27,494 Then just use it, open it and do a save as. And then work in that particular project. 436 00:43:27,494 --> 00:43:32,444 And then you can keep adding your other clips. If you have like a series that you want to work on. 437 00:43:32,444 --> 00:43:36,404 So those that would just help you with your workflow in general and so on. 438 00:43:36,404 --> 00:43:44,204 Other things you can do besides adding graphics is you can do all kinds of neat things with color. 439 00:43:44,204 --> 00:43:48,884 You can also split clips. You can also duplicate clips. 440 00:43:48,884 --> 00:43:56,414 That's a great way to extend your content. So let's say you decided, oh, I didn't quite get enough of of that particular thing. 441 00:43:56,414 --> 00:44:04,364 You can maybe duplicate it. You know, just be careful about that, you know, cause you don't want it to be too jagged all of the time and stuff, 442 00:44:04,364 --> 00:44:08,864 but with a transition or to, you know, put in there. It could it could be OK. 443 00:44:08,864 --> 00:44:14,594 That could help save the day. You can notice that you can keep stacking these as well. 444 00:44:14,594 --> 00:44:18,764 And they will each one will take precedence and so on. 445 00:44:18,764 --> 00:44:23,864 So that's how you can get multiple picture in picture if you wanted to do that. 446 00:44:23,864 --> 00:44:28,364 And then also you can do some neat things with the color. 447 00:44:28,364 --> 00:44:36,824 So you have all kinds of options here as far as different filters you can put on things so you can play around with those. 448 00:44:36,824 --> 00:44:43,734 There is like a Mondo's. So if you wanted to kind of tone it down, there's also like one that's called warm. 449 00:44:43,734 --> 00:44:48,764 You know, sometimes you can use these to help sort of even out your videos. 450 00:44:48,764 --> 00:44:53,234 So if you've taken video in sort of different locations on different days, 451 00:44:53,234 --> 00:45:03,074 you might be able to apply some sort of color preset, you know, to certain ones to make them look similar to the others. 452 00:45:03,074 --> 00:45:12,944 You can also choose the intensity of the particular color preset that you chose and then you can even edit them as well. 453 00:45:12,944 --> 00:45:22,424 So you can even change like the temperature or the tent, you know, so you can do some really interesting things with the different colors and so on. 454 00:45:22,424 --> 00:45:27,164 This one's interesting. Makes it look sort of like faded film, or you can make it look sharper. 455 00:45:27,164 --> 00:45:32,504 Notice that when I'm making these changes here, it's not really doing anything until, 456 00:45:32,504 --> 00:45:37,364 you know, it's showing me a preview of what it's doing over here. So it's just kind of doing it as I go. 457 00:45:37,364 --> 00:45:39,584 And then I've got to also a reset. 458 00:45:39,584 --> 00:45:46,934 So if I don't like anything that I decide, I don't like anything that I did, I can just reset it to the original settings. 459 00:45:46,934 --> 00:45:52,844 And then there's also a vignette. So if you're making like a dream like video, there's also feather. 460 00:45:52,844 --> 00:46:01,154 Kind of makes things look a little softer and so on. So those are all kinds of options you have under color, which is great. 461 00:46:01,154 --> 00:46:06,474 Another way you can kind of extend your film. Let's. 462 00:46:06,474 --> 00:46:11,814 Start over here, so we have a bigger screen to work on. So let's do that. 463 00:46:11,814 --> 00:46:20,784 OK. So let's say I wanted to be kind of dramatic here and I'll split this and then maybe we want to slow down part of the video or speed it up. 464 00:46:20,784 --> 00:46:26,544 So what we can do is determine and use the split clips to help you with your editing. 465 00:46:26,544 --> 00:46:32,154 Right. Because splitting them doesn't do anything to The View until you make a change to that clip. 466 00:46:32,154 --> 00:46:36,354 Right. So you can use this as an editing tool. 467 00:46:36,354 --> 00:46:44,964 So let's say I want just this part of the video to maybe slow down so I can go up and choose the speed tool. 468 00:46:44,964 --> 00:46:49,794 And then here I can choose. OK. How how much of the clips should be affected? 469 00:46:49,794 --> 00:46:52,974 Should it be the entire clip or just part of it? 470 00:46:52,974 --> 00:46:57,234 And if you notice down here in the screen, it's changing the length. 471 00:46:57,234 --> 00:47:01,764 Right. OK, so let's say I want the entire clip to be slowed down. 472 00:47:01,764 --> 00:47:04,504 OK. How much do I want it to be slowed down? 473 00:47:04,504 --> 00:47:12,354 You know, if it's like twice as much, you know, that I can double it or if I just want a ramp, I can just tell it, 474 00:47:12,354 --> 00:47:17,914 just do a ramp where it's sort of like, you know, does a little speed up and then maybe a slow down. 475 00:47:17,914 --> 00:47:21,784 So I can just apply that. So let's see what that effect kind of looks like. 476 00:47:21,784 --> 00:47:27,074 Sort of. Yes. So it kind of like ramped up and then ramped back down. 477 00:47:27,074 --> 00:47:31,064 OK. You know, so that's that's an idea as well. 478 00:47:31,064 --> 00:47:36,794 Pretty neat. So you can also. Let's try another one. 479 00:47:36,794 --> 00:47:47,654 This one's out. One hundred percent, which is just means it's normal. You can also just tell it to, you know, increase the you know, the length. 480 00:47:47,654 --> 00:47:56,204 So that one that made it faster. And then if I wanted to make it slower and drag it the other way. 481 00:47:56,204 --> 00:48:00,524 So now it's kind of slow back, right? 482 00:48:00,524 --> 00:48:04,764 The more fill. And you can tell it to maintain the audio pitch or not. 483 00:48:04,764 --> 00:48:08,534 You know, so in that case, we probably did. It does. 484 00:48:08,534 --> 00:48:12,224 It didn't really matter, you know, because it was like nobody was talking. 485 00:48:12,224 --> 00:48:17,024 But if people were talking, you might want to turn that off and maybe just not have it muted. 486 00:48:17,024 --> 00:48:21,554 For example, when you're doing that particular one. OK. 487 00:48:21,554 --> 00:48:25,724 And then let's see what else you can also do things like. There is. 488 00:48:25,724 --> 00:48:34,514 And expand audio. This is kind of helpful if you want to see kind of where the peaks are in your music or in your voice over this. 489 00:48:34,514 --> 00:48:39,644 Using this tool when you have a voiceover is actually really helpful when 490 00:48:39,644 --> 00:48:45,044 you're trying to match your video to maybe whatever the person's talking about. 491 00:48:45,044 --> 00:48:52,394 You'll see spikes when people are talking and then that way, you know, oh, I better go to that section and see what they're saying, you know? 492 00:48:52,394 --> 00:49:00,914 So that way you can kind of see when people are talking and use that to match up, you know, the appearances of whatever they're talking about. 493 00:49:00,914 --> 00:49:07,454 We can also bring in still images so we can bring in photos here again, that will be under your your media. 494 00:49:07,454 --> 00:49:16,604 And we can bring in of a photo here. And then just the same way we've been doing with the with the video clips, we can trim that photo. 495 00:49:16,604 --> 00:49:21,624 We can put a title on top of it, whatever it is. 496 00:49:21,624 --> 00:49:31,154 Know, some people will go and design their own sort of little intro thing here, you know, intro image and put that at the very beginning. 497 00:49:31,154 --> 00:49:33,434 You can do that in Sparke like we talked about. 498 00:49:33,434 --> 00:49:42,614 I've I use that I have a spark to help me create, sort of like a standard thumbnail image that's set for, like YouTube size. 499 00:49:42,614 --> 00:49:43,964 And I put that at the beginning. 500 00:49:43,964 --> 00:49:50,494 And it's just an image that shows for like three seconds and then goes into the video after that just shows a tiny bit of branding, 501 00:49:50,494 --> 00:49:56,614 you know, and in the title. So or you can do that within Rush as one of the graphics. 502 00:49:56,614 --> 00:50:04,244 So whatever is your good workflow, you know, and however you want to, to do that will work in inrush. 503 00:50:04,244 --> 00:50:08,264 Just kind of pick what works for you and go with that. 504 00:50:08,264 --> 00:50:14,984 Let's check back on our presentation page and see if there's anything we missed that we need to go over. 505 00:50:14,984 --> 00:50:23,384 Oh. With the transitions. One thing I forgot to mention, if we go to the transitions and we have a clip selected, 506 00:50:23,384 --> 00:50:28,514 if we just click a transition notice, it adds it automatically to the beginning in the end. 507 00:50:28,514 --> 00:50:39,684 If I wanted to just add a transition at the end or in the middle or wherever I want it, I can click and drag it to where I want. 508 00:50:39,684 --> 00:50:44,204 OK. So this is how you can get different transitions for the beginning in the end. 509 00:50:44,204 --> 00:50:50,274 Be careful again about being too crazy with it and putting in way too many transitions or too many different ones. 510 00:50:50,274 --> 00:50:54,404 You want to be have a real consistent type feel. Maybe they all fade. 511 00:50:54,404 --> 00:51:02,024 They all dissolve. And at the end they fade to black or they fade to white, depending on what you're kind of going for. 512 00:51:02,024 --> 00:51:06,194 And all of that. Here are your options to auto reframe. 513 00:51:06,194 --> 00:51:13,804 So let's say if I needed to then adjust, you know, these clips here. 514 00:51:13,804 --> 00:51:21,154 So if if this one was in a different aspect ratio that I could click here and tell it to auto reframe, 515 00:51:21,154 --> 00:51:26,594 you know, and tell it to go into this particular size and make it work. 516 00:51:26,594 --> 00:51:31,724 So that's something I could do there if I wanted to, if I needed to do that. 517 00:51:31,724 --> 00:51:39,224 Also, let's say you're in a project and you decided, you know what, I want to change the size of this. 518 00:51:39,224 --> 00:51:45,554 You can't actually do that right here as well. So let's say we want to change it to nine 16. 519 00:51:45,554 --> 00:51:49,664 It's basically going to auto reframe all of these clips for us. 520 00:51:49,664 --> 00:51:56,924 So notice that when he's talking, you know, it shows the most important sort of action point. 521 00:51:56,924 --> 00:52:01,724 And so on. And basically, just more the frames, it gives a word. 522 00:52:01,724 --> 00:52:06,614 Notice it keyed in on her because she was talking. Right. 523 00:52:06,614 --> 00:52:10,994 So that's the auto reframe doing that work for you. Which is very nice. 524 00:52:10,994 --> 00:52:18,404 And you can just switch it back. So you could, like, switch, you know, create a project, save it and then go back into the project. 525 00:52:18,404 --> 00:52:21,764 Change that aspect ratio. Save it again and export it. 526 00:52:21,764 --> 00:52:27,214 And then you've got it in different formats, sizes that you need and so on. 527 00:52:27,214 --> 00:52:33,494 OK. So we did that. Let's say we talked about captioning a little bit. 528 00:52:33,494 --> 00:52:37,214 You can also make the titles longer or shorter. Of course. OK. 529 00:52:37,214 --> 00:52:41,744 So you can you can make those however much you want. 530 00:52:41,744 --> 00:52:49,904 You can, you know, depending on what you need, you can pick one of the titles that has a background already and drop it down here into the main track. 531 00:52:49,904 --> 00:52:56,394 And then you're just seeing the title instead of an overlay. So that's an idea as well. 532 00:52:56,394 --> 00:53:03,134 We'll see what else. Oh, different kinds of cuts. 533 00:53:03,134 --> 00:53:07,334 So and there's more resources on the presentation page about this. 534 00:53:07,334 --> 00:53:11,864 But a lot of people will do what they call Jay cuts and l cut. 535 00:53:11,864 --> 00:53:14,744 So Jay Cut is when you bring the audio in first. 536 00:53:14,744 --> 00:53:22,034 So maybe you're seeing black or seeing like a B roll piece and you hear the person talking, but you don't see them yet. 537 00:53:22,034 --> 00:53:31,184 And then you go into seeing the person talking. So you can use the audio button to pull out the audio from the track here. 538 00:53:31,184 --> 00:53:40,064 So if we go to expand audio when we have a video with audio clip selected, then now we can extract this audio. 539 00:53:40,064 --> 00:53:47,084 So let's say maybe we wanted to trim, you know, trim move. 540 00:53:47,084 --> 00:53:55,324 Part of this don't say. And control Z or Command Z is basically like an undo. 541 00:53:55,324 --> 00:54:00,814 So you can undo that. And so we can actually trim some of this audio back. 542 00:54:00,814 --> 00:54:06,784 You know, we can trim this video. We can then move move this audio. 543 00:54:06,784 --> 00:54:11,944 We want to. A little bit. It's not as kind of messing up because it's at the beginning. 544 00:54:11,944 --> 00:54:18,754 But you get the idea that you can trim this. Right. And then you can expand this audio. 545 00:54:18,754 --> 00:54:24,214 I have this, like, shifted correctly. What would you do? You would expand this audio and then you would leave this video here. 546 00:54:24,214 --> 00:54:28,354 That way the people still talk while the boat is shown. OK. 547 00:54:28,354 --> 00:54:32,524 So that's how you can kind of, you know, expand those areas there. 548 00:54:32,524 --> 00:54:41,704 And then it cut is the opposite where you see the object, you know, first and then you start hearing the audio. 549 00:54:41,704 --> 00:54:47,344 After that, we talked about that, talked about file size. 550 00:54:47,344 --> 00:54:52,954 And then, of course. Yes. Just making sure everything that you're creating your videos ethically. 551 00:54:52,954 --> 00:54:57,454 And there's some also some resources here that I'd like to kind of quickly show you. 552 00:54:57,454 --> 00:55:04,054 But feel free to go through the presentation later and check these out in the innovation and research comments. 553 00:55:04,054 --> 00:55:11,344 We also have technology that's available for checkout. We've got cell phone accessories that are available like ring lights and stuff like that. 554 00:55:11,344 --> 00:55:16,954 Gimbel's for your cell phone. We also have an audio studio that you can check out. 555 00:55:16,954 --> 00:55:19,704 You can rent it. You can. 556 00:55:19,704 --> 00:55:27,094 You go look at online and then you come over to the library on the first floor and you can use the audio room to record your voiceover with Inrush. 557 00:55:27,094 --> 00:55:30,694 It's got it installed there. We also have a Dobi consultant. 558 00:55:30,694 --> 00:55:38,574 So we have studio employees who are available on the first floor of the library and also they monitor resume room for help. 559 00:55:38,574 --> 00:55:42,394 So if you're only online, then you can still get assistance that way. 560 00:55:42,394 --> 00:55:48,574 Links to our located here for all of all of the information about how to access those and book it. 561 00:55:48,574 --> 00:55:53,914 And and with the consultants, you just kind of look and see which consultant knows video. 562 00:55:53,914 --> 00:56:01,924 If they know per repro, they're going to be able to help you with Rush. So anybody that says video editing, they'll be able to help you. 563 00:56:01,924 --> 00:56:06,364 So you look at the schedule and see which ones have video editing as a specialty. 564 00:56:06,364 --> 00:56:09,244 And then you match your schedule to their schedule, which is posted online. 565 00:56:09,244 --> 00:56:17,284 And then you just go see them on the first for the library at that time that they're scheduled to be there or pop into the zoomer. 566 00:56:17,284 --> 00:56:23,734 There's also you can also do things like take your zoom recordings and bring them in to Rush. 567 00:56:23,734 --> 00:56:30,934 That's a great option for interviewing people right now. Or when you can't get there, get to them or they can't get to you. 568 00:56:30,934 --> 00:56:36,184 Doing this on Zoom is great. You just download the zoom file and P4. 569 00:56:36,184 --> 00:56:40,804 And then you bring it in as a media piece. So then you can bring that in here. 570 00:56:40,804 --> 00:56:43,894 There's also some neat things like there's a free teleprompter screen. 571 00:56:43,894 --> 00:56:48,514 If you have an extra laptop around and you want a teleprompter so you can read your 572 00:56:48,514 --> 00:56:53,644 script like very smoothly because you're what you're on you're on screen as well. 573 00:56:53,644 --> 00:56:59,334 And there's some neat ideas here about how to make a 30 second intro for your LinkedIn profile. 574 00:56:59,334 --> 00:57:05,644 Those who are branding yourselves, trying to get a job and so on. There's all kinds of media attribution here. 575 00:57:05,644 --> 00:57:12,994 OK, so making sure everything that you're putting into your is is you're allowed to take footage out even if you took it yourself. 576 00:57:12,994 --> 00:57:16,804 People who are in your video need to give you permission. 577 00:57:16,804 --> 00:57:22,414 If they can be recognized, then you need to get their permission for them to be in your video. 578 00:57:22,414 --> 00:57:27,994 So there's also media attribution depending on photos you use if you have permission to use those. 579 00:57:27,994 --> 00:57:31,564 So these links help you with all of that. 580 00:57:31,564 --> 00:57:37,654 Remember that some people will say, yeah, well, fair use can kind of do what I want and I'm protected because I'm a student. 581 00:57:37,654 --> 00:57:47,674 That's not necessarily the case at all. So what fair uses is essentially the idea that if you are creating, say, for a class assignment, 582 00:57:47,674 --> 00:57:51,874 it's not necessarily going to be it's not going to be public on the Internet. 583 00:57:51,874 --> 00:57:59,794 You're going to be putting in a class assignment and you may be allowed to use it because you're not publishing it really publicly. 584 00:57:59,794 --> 00:58:08,164 However, what's really important to understand that a lawyer told me once, which I think was the most useful thing ever. 585 00:58:08,164 --> 00:58:13,474 Is that fair use is not a privilege or a right. It's a legal defense. 586 00:58:13,474 --> 00:58:19,984 So if you're claiming fair use, you are already in a position of having to defend yourself. 587 00:58:19,984 --> 00:58:26,734 So don't put yourself in that position, you know, adhere to copyright, make sure everything is that's when you're ready. 588 00:58:26,734 --> 00:58:35,464 You have permission to use use. You know, the music loops that are already in no rush. 589 00:58:35,464 --> 00:58:41,224 It's important to caption things. This is how to caption and YouTube. This is how to caption and Panopto. 590 00:58:41,224 --> 00:58:49,854 This tells you exactly how to do it. As you're learning more about video learning, some basic video shots that are good would be great. 591 00:58:49,854 --> 00:58:54,204 For you to know as you begin to create video. So this is a link to that. 592 00:58:54,204 --> 00:58:57,834 What are some basic video shots? What's a long shot? What's a close up? 593 00:58:57,834 --> 00:59:03,154 Etc. You can also learn a lot from video just by watching some other video. 594 00:59:03,154 --> 00:59:12,054 So this is a great sort of commercial that does a great job of making very simple things look really epic by doing close up shots, 595 00:59:12,054 --> 00:59:17,664 all kinds of different types of shots, shots with, you know, wind moving the objects to create motion. 596 00:59:17,664 --> 00:59:23,694 All kinds of neat stuff. And then these are the cuts that I was explaining, the J cut in the L cut and so on. 597 00:59:23,694 --> 00:59:29,394 And then if you're ready to get into something like premier pro, there's premier pro tutorials here. 598 00:59:29,394 --> 00:59:36,324 We also have a workshop recording on Premier Pro where we go over sort of the basics, how to get started on it and then to help you with it. 599 00:59:36,324 --> 00:59:41,064 Here in the copyright Adobe Stock Images, we have full license to do what we want with those. 600 00:59:41,064 --> 00:59:45,744 You have to license the image and then download it in order to remove the watermark. 601 00:59:45,744 --> 00:59:50,814 There are sound loops available within Rush. There are some royalty free image sites. 602 00:59:50,814 --> 00:59:54,894 There is a royalty free pestles site is good. 603 00:59:54,894 --> 00:59:59,394 Check the attributions. Sometimes you might still need to give them credit. 604 00:59:59,394 --> 01:00:07,844 You might still need to include that as a credit in your video. At the end of watch, that YouTube audio library says its audio. 605 01:00:07,844 --> 01:00:15,114 That's free for use, but only within YouTube. So if your video is going to live in YouTube only, that could be an option. 606 01:00:15,114 --> 01:00:21,264 And then, Ben, sound as royalty free. But again, check the attribution. Sometimes you need to give them credit. 607 01:00:21,264 --> 01:00:23,064 So just check that. 608 01:00:23,064 --> 01:00:30,414 And then there's all kinds of other fantastic resources here for students as you get started with the DIBBY Creative Cloud contest. 609 01:00:30,414 --> 01:00:39,084 All that kind of stuff. Yeah. And so what I'd like to do now is give you the link to the little workshop survey. 610 01:00:39,084 --> 01:00:43,484 If you have a moment to complete the survey, that would be great. 611 01:00:43,484 --> 01:00:48,024 You will be getting the survey tomorrow and in an email. 612 01:00:48,024 --> 01:00:54,354 So tomorrow in an email, you will receive the link to this presentation. 613 01:00:54,354 --> 01:01:01,454 A link to a recording of the presentation and also a link to the survey. 614 01:01:01,454 --> 01:01:12,654 So and also are our contact information. So as you have questions with using Rush, feel free to use or Adobe consultants who are here to help you. 615 01:01:12,654 --> 01:01:22,614 And it's a lot of fun. So I hope that you take some time to kind of get into using Rush on trying some different things in it. 616 01:01:22,614 --> 01:01:28,644 You do. You can watch to get started to get some creative ideas and that sort of thing. 617 01:01:28,644 --> 01:01:33,924 But if we have a few minutes, if you would like, or it's a little bit past time. 618 01:01:33,924 --> 01:01:40,314 So understand if you need to go. But if there's any questions, I'd be happy to take questions at this time. 619 01:01:40,314 --> 01:01:44,844 But thank you guys so much for coming today. Really appreciate it. 620 01:01:44,844 --> 01:01:53,844 And hope you have a great rest your day. Feel free to also check out our additional resources on the innovation and research comments Web site. 621 01:01:53,844 --> 01:01:57,264 And which is also listed here on the presentation page. 622 01:01:57,264 --> 01:02:05,634 We've got prerecorded workshops available there, all kinds of resources from Adobe, which are fantastic. 623 01:02:05,634 --> 01:02:11,184 And, you know, we're always updating those sites with new events that are coming up and so on. 624 01:02:11,184 --> 01:02:15,592 So thank you all so much. I really appreciate it.