1
00:00:00,883 --> 00:00:08,923
So we will go ahead and get started today with digital video to a degree from your pro.

2
00:00:08,923 --> 00:00:19,603
It's recommended that you have either watched or visited or seen the Adobe premiere Rush initial video.

3
00:00:19,603 --> 00:00:23,353
If you haven't, it's still OK. It's just in.

4
00:00:23,353 --> 00:00:28,003
Typically, if you haven't had any experience with video at all.

5
00:00:28,003 --> 00:00:39,013
Premiere Rush is a great introduction. It's adobes sort of little bit beginner, more level of video editor, and it also works on a mobile device.

6
00:00:39,013 --> 00:00:43,963
So if you haven't yet, check that out. Give that a check because it's a good introduction.

7
00:00:43,963 --> 00:00:53,173
Has a little bit easier, a lot easier interface, actually. And you can focus on kind of getting the concept to sit down in the workflow down.

8
00:00:53,173 --> 00:01:03,463
And then when you need to do more in-depth work with video editing, Adobe Premiere Rush is actually built on the same code as Adobe premiere pro.

9
00:01:03,463 --> 00:01:11,743
So you can start a project and rush. And then just open it and pro and it will bring all those edits with you and you can continue editing.

10
00:01:11,743 --> 00:01:16,393
So that's kind of a neat thing. So if you have a project and rush that,

11
00:01:16,393 --> 00:01:19,873
you'd like to start doing some things and pro and that's a great way to start after

12
00:01:19,873 --> 00:01:25,203
today would be to start learning some features of pro that you can do with that.

13
00:01:25,203 --> 00:01:29,173
Great. Thank you all so much for introducing yourselves in the chat.

14
00:01:29,173 --> 00:01:35,413
That's awesome. It's a good idea for you guys to kind of see each other, you know, who's here and so on.

15
00:01:35,413 --> 00:01:43,123
I'm going to do my best to watch the chat today as you guys have questions or if things come up.

16
00:01:43,123 --> 00:01:49,483
Feel free to post in the chat. It's it's easier for me to see the chat than it is.

17
00:01:49,483 --> 00:01:55,123
You know, like if you try to raise your hand and stuff like that, like the participation told us, if I have somebody, help me and.

18
00:01:55,123 --> 00:02:02,653
Watching the workshop them, I can handle that, but typically the chat is just easier for me to notice and say so.

19
00:02:02,653 --> 00:02:08,083
Feel free to post in the chat if you have questions as we go along. But today is very much a basic.

20
00:02:08,083 --> 00:02:13,063
Let's get started. Impro. OK, so first out, you guys introduce yourselves.

21
00:02:13,063 --> 00:02:15,503
Thank you so much for doing that. So I'll introduce myself.

22
00:02:15,503 --> 00:02:24,373
I'm Chelsea Hooper, instructional technology specialist in the innovation and Research Comments, which is on the first floor of the library.

23
00:02:24,373 --> 00:02:28,393
We used to be the Media and Digital Resource Lab, the Enduro.

24
00:02:28,393 --> 00:02:33,623
We've converted and renovated and turned transformed into the Innovation and Research Commons.

25
00:02:33,623 --> 00:02:39,753
So we have makerspace and Adobe creative space where you can come and share ideas and learn more about it.

26
00:02:39,753 --> 00:02:42,253
They'll be together 3D printing.

27
00:02:42,253 --> 00:02:50,743
We still have a wide format printing a data space area where you can get assistance with data services and things like that.

28
00:02:50,743 --> 00:02:55,153
So check us out. It's all kinds of all kinds of neat stuff there. The website, it's here.

29
00:02:55,153 --> 00:02:59,203
It's also listed as a link on this particular page.

30
00:02:59,203 --> 00:03:03,643
And the link to the presentation that that you're looking at right now is in the chat.

31
00:03:03,643 --> 00:03:05,353
So feel free to grab that.

32
00:03:05,353 --> 00:03:14,623
However, tomorrow you guys will get a follow up email from the library registration system because you registered for this particular workshop.

33
00:03:14,623 --> 00:03:23,653
And that email will have the link to today's presentation, as well as a link to a recording from today's workshop.

34
00:03:23,653 --> 00:03:31,663
So if you would like to pause it, review it, go over it, try to get later, if you can follow along with today's workshop.

35
00:03:31,663 --> 00:03:34,353
Please feel free to do so.

36
00:03:34,353 --> 00:03:44,023
I know it's hard, though, when we're in this sort of online format to have enough screen space to do that and be able to keep track and stay with it.

37
00:03:44,023 --> 00:03:45,133
And that kind of thing.

38
00:03:45,133 --> 00:03:54,163
So if you're more comfortable just watching today and then maybe trying it yourself immediately afterwards or within the next couple of days,

39
00:03:54,163 --> 00:04:03,383
try to do it kind of soon after you've gone to the workshop because then you're much more likely to actually use it in the future and so on.

40
00:04:03,383 --> 00:04:09,193
Yes, of course, in order to have access to more pro, you need an Adobe I.D.,

41
00:04:09,193 --> 00:04:14,683
which if you don't have one yet, you secure it here and then you log in with your enterprise I.D.

42
00:04:14,683 --> 00:04:18,493
I recommend you download this Adobe Creative Cloud desktop app.

43
00:04:18,493 --> 00:04:22,453
It helps you manage everything on your computer and you can manage the updates

44
00:04:22,453 --> 00:04:28,743
and make sure you're signed into the correct Adobe I.D. and all of that.

45
00:04:28,743 --> 00:04:33,613
And you can launch the applications from there. Makes everything a lot easier to find and that sort of thing.

46
00:04:33,613 --> 00:04:37,263
You can control what you choose to install on your computer.

47
00:04:37,263 --> 00:04:47,593
OK, so another sort of companion application that Adobe offers, which is an online application, is a spark.

48
00:04:47,593 --> 00:04:50,203
You can also use Spark to create interesting graphics.

49
00:04:50,203 --> 00:04:59,563
So then once you create the graphic and download it as a JPEG, then you could bring that into a video app so you could bring that into Russia pro.

50
00:04:59,563 --> 00:05:05,833
So it's just the idea if you needed to put together sort of like a nice looking quick info graphic and you wanted to do that.

51
00:05:05,833 --> 00:05:11,893
That's just another idea. So feel free to check that out later. Rush, we mentioned that earlier.

52
00:05:11,893 --> 00:05:16,393
Some Russians sort of like a companion starter application to pro.

53
00:05:16,393 --> 00:05:21,913
They're built on the same code so you can take rush projects and continue them and pro, which is really neat.

54
00:05:21,913 --> 00:05:26,833
So you can start on your mobile device, you know, and then bring things into pro, which is pretty cool.

55
00:05:26,833 --> 00:05:31,303
So if you haven't checked out Raasch, then that's a good idea to do that too.

56
00:05:31,303 --> 00:05:36,133
And then also when we're talking about video, we have some concepts we should just understand.

57
00:05:36,133 --> 00:05:44,263
And some of these I went over and rush. But in case you didn't get some of these concepts, we'll just go over them briefly here just a little bit.

58
00:05:44,263 --> 00:05:52,963
If you there's a storyboard template here. So when you are creating video, you should really sort of plan and organize it first.

59
00:05:52,963 --> 00:05:58,063
So you have to have kind of an idea of what it is you want to shoot.

60
00:05:58,063 --> 00:06:03,703
You know, what is what idea. Are you trying to get across? And just like you would outline a paper.

61
00:06:03,703 --> 00:06:08,043
Same thing. You might create what they call a storyboard for your video.

62
00:06:08,043 --> 00:06:12,343
So storyboard would include like maybe what types of shots you would like and maybe your script,

63
00:06:12,343 --> 00:06:16,343
things that you're going to say, props that you would include in there.

64
00:06:16,343 --> 00:06:21,553
And that can be very rough, sort of a rough draft type thing, or it can be very sophisticated, kind of depends.

65
00:06:21,553 --> 00:06:27,253
It might be scripted out. You know, if you're interviewing people, it might be, you know, not as much of a script.

66
00:06:27,253 --> 00:06:32,803
You might have know questions that you send them ahead of time and so on that you've thought about

67
00:06:32,803 --> 00:06:38,383
carefully and created first kind of depends on the nature of the video that you want to create.

68
00:06:38,383 --> 00:06:46,933
But with any video, you should really take some time to plan and kind of organize yourself, get your footage organized.

69
00:06:46,933 --> 00:06:52,003
So if you have other people shooting video for you and you can do a whole lot with yourself.

70
00:06:52,003 --> 00:06:57,533
Now, which is great. A lot of people will have fantastic. Right there with them all the time.

71
00:06:57,533 --> 00:07:06,363
But light and sound are very important when you're capturing video. So doing your best to capture really good light outside is great.

72
00:07:06,363 --> 00:07:12,403
You know, using natural sunlight is great as long as it's not too bright on something like a white surface and then it's washing it out.

73
00:07:12,403 --> 00:07:18,113
Right. So doing a good job of capturing good input in the first place is great.

74
00:07:18,113 --> 00:07:28,733
You can also do things like use B roll so you can stack video and have maybe somebody is talking about a certain you interviewed an expert

75
00:07:28,733 --> 00:07:37,103
in some sort of topic and then you go capture footage or you find footage of whatever that topic is that that person's talking about.

76
00:07:37,103 --> 00:07:41,393
And then you overlay that on top of the other video of them speaking.

77
00:07:41,393 --> 00:07:42,503
And so that's called B roll.

78
00:07:42,503 --> 00:07:52,253
So you're basically sort of you're switching the sort of the video to a different subject while you're maintaining kind of the same audio.

79
00:07:52,253 --> 00:07:52,793
And so on.

80
00:07:52,793 --> 00:08:02,993
So while somebody is talking about something or you have a script going on, you introduce different things, you know, in the visual aspect of it.

81
00:08:02,993 --> 00:08:11,633
So developing a workflows really important using with box, you get access to box, which is fantastic.

82
00:08:11,633 --> 00:08:19,673
And it's unlimited storage. So, you know, that's a great place to be storing, you know, videos and that kind of thing.

83
00:08:19,673 --> 00:08:24,143
Your video clips. There's also one drive.

84
00:08:24,143 --> 00:08:28,733
Also name your files properly or have folders in which you put.

85
00:08:28,733 --> 00:08:35,393
And that's why storyboarding is important, because then you can name them and label things properly and then stay organized that way.

86
00:08:35,393 --> 00:08:37,973
If you know you want certain things to be certain scenes,

87
00:08:37,973 --> 00:08:44,183
you could do seem one thing to see three or if you don't know, you can do what's the general topic?

88
00:08:44,183 --> 00:08:51,503
So like this one might be windmill, you know. And this one of him might be expert, one, you know, or whatever it is.

89
00:08:51,503 --> 00:08:55,133
So just coming up with some sort of organization process that way,

90
00:08:55,133 --> 00:09:03,083
when you go to your video editor and you go to pull your files from your computer or from the cloud, then you know where they are.

91
00:09:03,083 --> 00:09:07,793
You know what you're pulling in. You'll have to preview every single thing and figure out what it was.

92
00:09:07,793 --> 00:09:12,053
So being organized up front is very helpful. This is a very basic like setup.

93
00:09:12,053 --> 00:09:19,673
So if you're shooting a certain subject, something still, you know, if you're shooting maybe a lab or something like that or something inside,

94
00:09:19,673 --> 00:09:26,933
you're interviewing somebody, you're sitting in a chair, you can do your best to try to match these lights as much as you can.

95
00:09:26,933 --> 00:09:30,903
And then just do it with with what you can, with the things that you have around you.

96
00:09:30,903 --> 00:09:37,253
Know, simple household lights can be very helpful to achieve this type of effect.

97
00:09:37,253 --> 00:09:45,143
And then also, what is so cool about for me pro, which is also sort of on a second level saying that's really neat,

98
00:09:45,143 --> 00:09:49,253
is premier pro offers this team projects option.

99
00:09:49,253 --> 00:09:58,343
So what you can do is you can share video with other people that you're working with, other people who have Adobe ideas.

100
00:09:58,343 --> 00:10:04,133
And so this video talks about how to do that. There's a little bit and some nuances you should understand.

101
00:10:04,133 --> 00:10:12,473
Like there needs to be like a shared folder set up in Creative Cloud libraries where you save your media that way.

102
00:10:12,473 --> 00:10:22,973
When both of you guys are accessing premier from your pro and editing that media, you're accessing the same sort of cloud shared file for your media.

103
00:10:22,973 --> 00:10:28,853
Otherwise, it's not gonna work if you're accessing local media over here and this person's accessing their local media over here.

104
00:10:28,853 --> 00:10:34,073
You don't have access to the same media for putting into your video together.

105
00:10:34,073 --> 00:10:41,543
But basically, this from your pro has enabled collaborative video editing, which is really amazing.

106
00:10:41,543 --> 00:10:45,473
A few other entities have tried to do this before. We video was one.

107
00:10:45,473 --> 00:10:49,043
It's just it was hard because it was all online and it worked.

108
00:10:49,043 --> 00:10:57,113
It was little clunky and that kind of thing. This is basically it's kind of like, you know, like shove one drive or Google Docs for you.

109
00:10:57,113 --> 00:11:01,283
So there's still some nuances. You have to make sure you set it up properly and that kind of thing.

110
00:11:01,283 --> 00:11:05,243
But this video talks you through how to do that so that if you're working with a team

111
00:11:05,243 --> 00:11:12,743
of people or you want students to work together to video to do edit video editing,

112
00:11:12,743 --> 00:11:21,743
then that could be an option. So really neat thing. And then just as some other chips and be roll shots to give you ideas about that.

113
00:11:21,743 --> 00:11:29,453
So I'll skip through that because as things you can access later as you're getting and more into video and that kind of thing in the eye and our see,

114
00:11:29,453 --> 00:11:33,883
we're developing our inventory of technology, Check-Out.

115
00:11:33,883 --> 00:11:38,873
So we don't have are there things all available just yet?

116
00:11:38,873 --> 00:11:47,183
But we will have fairly soon cameras that are available, going to be available for checkout, such as GoPro cameras.

117
00:11:47,183 --> 00:11:53,993
Also cell phone accessories. So Gimbel's and things like that that make your cell phone footage look better.

118
00:11:53,993 --> 00:12:03,073
Tripod. Things like that, microphones that you can get that will work with your cell phone and things like that will be great.

119
00:12:03,073 --> 00:12:07,483
And then what we're gonna do next is jump in to the interface.

120
00:12:07,483 --> 00:12:11,263
So what we're actually going to use today to learn about from your pro.

121
00:12:11,263 --> 00:12:17,653
And I'll put the link again is we had somebody join is going to be the tutorial that's built into it.

122
00:12:17,653 --> 00:12:22,723
But I'm going to talk about some things and kind of go a little bit more into depth on

123
00:12:22,723 --> 00:12:26,833
some things and explain some things that I think they kind of missed along the way.

124
00:12:26,833 --> 00:12:33,073
So but what you would do, by the way, is when you are creating new projects,

125
00:12:33,073 --> 00:12:40,483
you have several options in premier pro, you get options to create a new project, a new premier pro project.

126
00:12:40,483 --> 00:12:46,063
You get to open a current one that you've already been working on. You can open a premier rush project.

127
00:12:46,063 --> 00:12:52,363
And the reason why does that, I think, is because it has to know where it's coming from and then translated into an editable format.

128
00:12:52,363 --> 00:12:58,183
And then a new team projects so that that would be that team's collaborative feature that I was talking about.

129
00:12:58,183 --> 00:13:03,073
You have to create a team project either from scratch or you have to.

130
00:13:03,073 --> 00:13:08,863
There is a way to convert a current project into a team project, which that video shows you.

131
00:13:08,863 --> 00:13:11,773
That takes a couple of extra steps and so on.

132
00:13:11,773 --> 00:13:17,973
But what we're going to do today and what you can do to kind of remind yourself how to do these things at at,

133
00:13:17,973 --> 00:13:23,143
you know, later on your own would be there is a tutorial that's built into pros.

134
00:13:23,143 --> 00:13:27,313
So we're gonna use that arm and go in to some of those things.

135
00:13:27,313 --> 00:13:30,883
We're going to do the sections that we're gonna do are called learn the Basics.

136
00:13:30,883 --> 00:13:36,393
And then also we're gonna remember some shortcuts that they didn't they didn't tell you in there.

137
00:13:36,393 --> 00:13:42,733
And I'm going to tell you a few shortcuts as we go. And then we're also gonna go through a learning module called creative and stylistic addicts.

138
00:13:42,733 --> 00:13:49,603
And that will give you a lot of basic ideas of how to use probe and then to continue learning.

139
00:13:49,603 --> 00:13:51,673
This is a great tutorial on. OK.

140
00:13:51,673 --> 00:13:57,043
Now you have an idea of how the interface works and things like that because it is a little bit of a difficult interface.

141
00:13:57,043 --> 00:14:00,403
Now, what are some other video editing techniques you can try?

142
00:14:00,403 --> 00:14:06,613
Based upon the fact that now, you know, some this would be a great follow up one to do after today.

143
00:14:06,613 --> 00:14:13,483
Additionally, we have just gotten an Adobe student ambassador.

144
00:14:13,483 --> 00:14:21,373
So she is a communications and marketing student. And as an Adobe student ambassador, she's going to be running some trainings.

145
00:14:21,373 --> 00:14:28,453
And on October 14th, she's going to do digital video three from from our bureau.

146
00:14:28,453 --> 00:14:32,673
And so she's going to show some more advanced techniques than I will today.

147
00:14:32,673 --> 00:14:39,973
Today's definitely intro. So that is available on the library Web site.

148
00:14:39,973 --> 00:14:42,993
So for the is probably way down here.

149
00:14:42,993 --> 00:14:51,943
But at the bottom of this page is the link to it's like Obbie slash library workshops and so you can sign up for hers if you would like to as well,

150
00:14:51,943 --> 00:14:56,683
which be great. And then, well, there's tons of additional resources that will come back to you.

151
00:14:56,683 --> 00:15:01,573
But this is what we're doing today. OK. So let's go ahead and get started with that.

152
00:15:01,573 --> 00:15:08,773
So we're going to open up for me, a pro so premier pro does take quite a bit of processing power.

153
00:15:08,773 --> 00:15:15,943
So if you have a very old laptop, it's probably not going to do very well, even with Rush.

154
00:15:15,943 --> 00:15:21,523
Rush in video editing in general just takes quite a bit of processing power.

155
00:15:21,523 --> 00:15:30,223
So if you don't have access to a better computer than there are computers on campus, that would work better for you.

156
00:15:30,223 --> 00:15:37,633
So in the Innovation and Research Commons, we have computers that have premier pro installed and a lot of times students will

157
00:15:37,633 --> 00:15:43,763
come to our lab to use maybe they would start their project on their laptops,

158
00:15:43,763 --> 00:15:48,463
but when they were ready to finish up their project, they would come to our lab,

159
00:15:48,463 --> 00:15:52,963
transfer all their files, or if you've got it in Creative Cloud, you just open it up.

160
00:15:52,963 --> 00:15:58,723
You just log in to our computers with your Adobe idee and then you've got all your stuff.

161
00:15:58,723 --> 00:16:07,363
But they would come and use our computers to finish it because you have bigger desktop space, which you'll see why that's important in just a minute.

162
00:16:07,363 --> 00:16:11,593
With Premier Pro, it's going to be I'm showing this on to you on a laptop today.

163
00:16:11,593 --> 00:16:13,453
So it's going to be a little bit of a struggle.

164
00:16:13,453 --> 00:16:21,073
But, you know, I figure I should be real about how we're using pro because many of you guys are using laptops as well.

165
00:16:21,073 --> 00:16:26,203
So we should, you know, emulate the way that we're using it and realize that most people are using it.

166
00:16:26,203 --> 00:16:32,173
But what they'll do is the students would often come and use our computers to finish up their projects,

167
00:16:32,173 --> 00:16:40,033
because when it's time for the project to render, which is like the term for the video editor,

168
00:16:40,033 --> 00:16:45,013
taking all the information and putting it together into one video,

169
00:16:45,013 --> 00:16:54,043
that can take a lot of time depending on the complexity of the video, how much audio is in it, the complexity of the effects.

170
00:16:54,043 --> 00:17:00,493
We're put into it how long is it? I mean, it can take hours and hours and hours, depending on, you know, how.

171
00:17:00,493 --> 00:17:05,143
How much is you know, how much is there? How much work does it have to do?

172
00:17:05,143 --> 00:17:12,973
And what type of computer are you doing it on? So, like, we would come into the lab the next morning, there would be a Post-it note on the computer.

173
00:17:12,973 --> 00:17:22,033
This is please don't touch. I'm rendering. So they would like start their project, let it run like overnight because it was such a huge project.

174
00:17:22,033 --> 00:17:25,183
Most time you guys are not going to be having huge, huge projects like that.

175
00:17:25,183 --> 00:17:32,173
So not to scare you, but but it is a good idea to just be careful with your files, you know,

176
00:17:32,173 --> 00:17:37,663
so making sure you're doing a good job of storing your video files in the first place.

177
00:17:37,663 --> 00:17:41,863
And then when you're working in from your pro or whatever, Ed,

178
00:17:41,863 --> 00:17:46,843
you're working in or anything of whatever project you're working in to then quit from your pro when you're

179
00:17:46,843 --> 00:17:52,823
done for the day and not just keep your file open and shut the lid and then keep opening and shutting it,

180
00:17:52,823 --> 00:17:58,423
because keeping files like this open is not a good idea. And then you're running around, you're moving your computer.

181
00:17:58,423 --> 00:18:03,583
That's how files can get corrupted. And then you have to start your project all over again.

182
00:18:03,583 --> 00:18:09,853
Same thing with when it's time for it to render. So when you go to in from your pro, you go to export.

183
00:18:09,853 --> 00:18:13,573
In Russia, we went to share from your pro. You go to export and you tell it.

184
00:18:13,573 --> 00:18:18,973
What kind of file do you want to export. How, how much and what good quality do you want.

185
00:18:18,973 --> 00:18:23,713
And that also makes a difference with export time and in the court and things like that.

186
00:18:23,713 --> 00:18:29,383
And so during that process, it's really important not to interrupt the computer either.

187
00:18:29,383 --> 00:18:37,123
So making sure you have time to address both of those issues when you're video editing, close your files when you're not using them.

188
00:18:37,123 --> 00:18:42,283
And then let your computer be and try not to run anything else while it's trying to render,

189
00:18:42,283 --> 00:18:45,853
because that can take a lot of processing power and that kind of thing.

190
00:18:45,853 --> 00:18:52,453
So inform your pro when we first open it, there's an option to go to start first tutorial.

191
00:18:52,453 --> 00:18:58,573
If you're in for me a pro and you don't see that or because maybe messed around with your pro before or something.

192
00:18:58,573 --> 00:19:02,983
It's probably also available under help. So it's there somewhere.

193
00:19:02,983 --> 00:19:11,533
If you don't see it right away, then definitely do that. So we're gonna go to start first tutorial and we're gonna walk through some of the tutorials,

194
00:19:11,533 --> 00:19:21,643
which fantastic is that it's got some practice media, some practice files already embedded inside it from your pro.

195
00:19:21,643 --> 00:19:26,923
And bear with me, because this is the first some of offer from your pro on a laptop over Zoom.

196
00:19:26,923 --> 00:19:36,013
So cross fingers that this is all gonna go OK. What's so nice is I've got these interactive little LERN panels over here for you and you can

197
00:19:36,013 --> 00:19:41,143
access the learn panel at any time by going up to window and then finding the LERN panel.

198
00:19:41,143 --> 00:19:47,983
And you can do more tutorials even just within the app, because they know for me a pro is a little bit difficult.

199
00:19:47,983 --> 00:19:52,003
You know, video editing in general is a little complicated.

200
00:19:52,003 --> 00:19:57,283
You're doing a lot of important process. So but basically it's going to walk us through the interface.

201
00:19:57,283 --> 00:20:04,333
So let's talk about the interface here for a minute. So the premier photo interfaces is divided into panels.

202
00:20:04,333 --> 00:20:11,593
So these panels are movable so we can shift things around depending on what we need.

203
00:20:11,593 --> 00:20:16,483
And then also notice kind of the order of them, which some times is a little backwards,

204
00:20:16,483 --> 00:20:20,953
but with video editors that actually this is actually a pretty common setup.

205
00:20:20,953 --> 00:20:28,633
So down here, you have your project panel. So this is the media that you'll be using in your projects.

206
00:20:28,633 --> 00:20:36,133
So this is media that has been pulled off of the computer and is present inside of Premier Pro right now.

207
00:20:36,133 --> 00:20:38,593
And then the panel, too, is the source panel.

208
00:20:38,593 --> 00:20:48,253
So if I want to preview one of these, one of the media, I can preview it up here in the source panel for I add it to my project.

209
00:20:48,253 --> 00:20:52,393
And then this is basically the project that what they call the program panel.

210
00:20:52,393 --> 00:21:00,013
This is the project's timeline is a lot of times what they call it and other video editors or the timeline.

211
00:21:00,013 --> 00:21:06,613
And this is where you actually create your project. So this is your editing panel for your project.

212
00:21:06,613 --> 00:21:15,403
And then up here is basically your preview. So up here, you can preview what is your movie actually going to look like?

213
00:21:15,403 --> 00:21:19,003
So those are your panels that you have to access. You can go on.

214
00:21:19,003 --> 00:21:25,723
You can pull them out. You can undock them. So, like, if you wanted to move this interface around, then you can do that.

215
00:21:25,723 --> 00:21:31,723
If you decide I don't really need this source panel right now, you can exit out of it and then give yourself more space.

216
00:21:31,723 --> 00:21:34,813
We have we're taking up space with this LERN panel, too.

217
00:21:34,813 --> 00:21:39,793
So typically, you'll have a bigger screen to be working with and it won't be quite this cramped.

218
00:21:39,793 --> 00:21:48,583
But as you can see, it's to your advantage if you can work on a bigger screen computer when you are actually putting your projects together.

219
00:21:48,583 --> 00:21:54,243
So you have options as far as using computers on campus if you're able to get to campus, if you're working.

220
00:21:54,243 --> 00:22:03,173
The laptop, and that's what you have to work off of at home. Other options might be if you can get a hold of an indexed external display.

221
00:22:03,173 --> 00:22:10,293
So, you know, just an extra computer screen that you can then plug in that just extends the screen of your laptop.

222
00:22:10,293 --> 00:22:19,653
That helps a lot, too. And then make sure your computer's plugged in while you're using this type of application is also very helpful.

223
00:22:19,653 --> 00:22:24,263
Don't try to run it off of battery and do this because it's definitely going to take the energy down.

224
00:22:24,263 --> 00:22:28,743
So so is selling this the different panels? So we did that. We understand that.

225
00:22:28,743 --> 00:22:32,913
We understand that we can adjust them around so we know how to do that.

226
00:22:32,913 --> 00:22:36,693
OK. So we've talked about that. Wow. We finished the first thing. That's awesome.

227
00:22:36,693 --> 00:22:43,923
Let's keep going. OK. Fantastic. So let's go back to we have to go to.

228
00:22:43,923 --> 00:22:47,033
Let's hit next and see. OK.

229
00:22:47,033 --> 00:22:54,093
And so when you were going through the tutorial, if it if it asks you, do you want to save any changes to your projects, you just keep saying no.

230
00:22:54,093 --> 00:22:58,923
So just keep saying no every single time and you'll be able to keep going through the tutorial and so on.

231
00:22:58,923 --> 00:23:02,943
OK. So it's going to tell us to press play to see what we're going to put together here.

232
00:23:02,943 --> 00:23:09,513
You can also press the space bar. So the space bar and your computer and there's some audio here.

233
00:23:09,513 --> 00:23:14,783
I'm not sure if you guys can hear that. If you can't, it's just nice music.

234
00:23:14,783 --> 00:23:19,253
So it's OK, you can see from the levels over here that it's active, right?

235
00:23:19,253 --> 00:23:28,403
So that's our whole stream that we're going to create. You can the spacebar is very handy because you can hit the hit the spacebar to start and stop.

236
00:23:28,403 --> 00:23:35,993
That's a nice shortcut to know. Let's go ahead and hit next. No, we don't receive any changes, so we just keep going.

237
00:23:35,993 --> 00:23:42,893
And then to bring media into are what they call the media panel.

238
00:23:42,893 --> 00:23:48,173
It's you know, you're actually bringing media into premier pro from your computer.

239
00:23:48,173 --> 00:23:58,763
So we're gonna double click to do that. And it's going to it's already got a premade little folder here that it's already linking to.

240
00:23:58,763 --> 00:24:03,743
And it's saying, hey, just pick like, you know, maybe three clips or something like that.

241
00:24:03,743 --> 00:24:07,523
And you can hold down control or command to select more than one.

242
00:24:07,523 --> 00:24:13,763
So you can see why it might be important to name your files in something that makes sense to you.

243
00:24:13,763 --> 00:24:21,133
So you have an idea. So you don't have to just guess or preview them in the folder so you know which ones you want to put in.

244
00:24:21,133 --> 00:24:28,583
So you can do some editing technically, like, you know, ahead of time, like final footage folder and put that stuff together.

245
00:24:28,583 --> 00:24:34,613
And then, you know, everything that folder is going into your projects. So however you want to work it, there's no different.

246
00:24:34,613 --> 00:24:39,773
Just make sure you organize it in some way. So you know what you're doing and where your stuff is.

247
00:24:39,773 --> 00:24:44,213
And so I might bring this panel up a bit if I can. If it'll let me hear.

248
00:24:44,213 --> 00:24:48,473
There we go. So we can see just a little bit better of what's going on here.

249
00:24:48,473 --> 00:24:53,513
OK. Very good. So this this is our media that we have brought into Premier Pro.

250
00:24:53,513 --> 00:24:58,693
It's not in our project yet. It's just in the premier pro file right now.

251
00:24:58,693 --> 00:25:03,773
OK. So we already did that. So let's let's click next.

252
00:25:03,773 --> 00:25:08,603
So it's telling us we can preview a clip like I showed you guys and notice when we preview it,

253
00:25:08,603 --> 00:25:12,683
even though I close that window before it brought it back.

254
00:25:12,683 --> 00:25:15,953
So you know the source. So then I can preview this and see.

255
00:25:15,953 --> 00:25:21,343
Is that the clip I want? Yeah, sure. That's fine. OK. So we did that.

256
00:25:21,343 --> 00:25:25,963
And let's keep going. And we're going to say no to that.

257
00:25:25,963 --> 00:25:30,133
Perfect. OK. So adding clips to the timeline. So we're going to select these.

258
00:25:30,133 --> 00:25:36,853
By using either command or control. Right. To collect. To choose more than one file.

259
00:25:36,853 --> 00:25:41,343
And then you drag and drop them into the media timeline.

260
00:25:41,343 --> 00:25:47,293
OK. So over here, this is our program panel. Or they also called the time line panel.

261
00:25:47,293 --> 00:25:53,533
Because you're actually putting them into a timeline now. So you're actually placing them somewhere in your video.

262
00:25:53,533 --> 00:25:59,523
OK. So we did that. We edited our items here.

263
00:25:59,523 --> 00:26:03,783
And then, too, you notice this is kind of small. OK?

264
00:26:03,783 --> 00:26:09,673
So you can do some things to kind of adjust here so you can use the plus.

265
00:26:09,673 --> 00:26:16,593
See, I had to choose the panel first. That's the other thing about pro, because it kind of uses these panels.

266
00:26:16,593 --> 00:26:22,083
It's not good enough to be within the you know, the program pro.

267
00:26:22,083 --> 00:26:26,643
If you are trying to give a certain panel a command, you must select it first.

268
00:26:26,643 --> 00:26:33,363
So very much like the other Adobe products where you have to choose the item you want to make changes to first.

269
00:26:33,363 --> 00:26:39,733
Same kind of thing here. So clicking the plus side or the minus sign kind of makes the time line expand.

270
00:26:39,733 --> 00:26:50,883
You zoom in or out essentially is what you're doing. And then either command plus or control plus helps you expand, you know, your your tracks.

271
00:26:50,883 --> 00:26:55,153
So then you can kind of preview here a little bit of what might be going on.

272
00:26:55,153 --> 00:26:59,763
That's very, very handy there. So that's something that's important to do.

273
00:26:59,763 --> 00:27:04,503
All right. Let's keep going. And we're going to say, no, we don't want to save changes.

274
00:27:04,503 --> 00:27:10,413
OK, moving around the sequence, we learned we already learned about the spacebar. So we did that in everything.

275
00:27:10,413 --> 00:27:15,093
And then this is the play head. And when you're doing this is called scrubbing.

276
00:27:15,093 --> 00:27:25,353
So this is a very fast way to maybe find a point that you want to deal with, to do something with like maybe you wanted to cut it here.

277
00:27:25,353 --> 00:27:29,823
And then you can use the commands K option to split.

278
00:27:29,823 --> 00:27:33,873
This whole tutorial doesn't even tell you how to split the clip. So that was one major thing.

279
00:27:33,873 --> 00:27:37,203
I think they really kind of neglected to to show you how to do that because

280
00:27:37,203 --> 00:27:41,823
splitting clips is really important and helps you get get more at its ability.

281
00:27:41,823 --> 00:27:49,653
So if you want to, like, take out a middle section of this or you wanted to divide this in half and rearrange them, then you can do that.

282
00:27:49,653 --> 00:27:55,473
I'm going to undo it, because if I if I go off script here, the tutorial will probably get angry with me.

283
00:27:55,473 --> 00:27:59,043
And then you've also got the gray scrollbar here, too,

284
00:27:59,043 --> 00:28:04,473
that can help you kind of scroll around and zoom in into your into your timeline in your sequence.

285
00:28:04,473 --> 00:28:11,103
So we did all those things, moving clips here. So this is another sort of different thing with your probe.

286
00:28:11,103 --> 00:28:20,283
So it wants me to take clip three and drag it right here to where it's before, you know, clip two.

287
00:28:20,283 --> 00:28:24,183
So it's once you put you have clip one, three and then two.

288
00:28:24,183 --> 00:28:35,343
So here's the tricky thing. So you have to grab it first and then while you're holding the command or control key, then drag it over.

289
00:28:35,343 --> 00:28:44,003
If you don't hold the command of the control key down while you're dragging it over, it will overwrite part of the other clip.

290
00:28:44,003 --> 00:28:48,093
OK. So that's conceptually really important to understand.

291
00:28:48,093 --> 00:28:55,983
And it tells me that down here. So it will cover it up, you know, which in some cases you might want that to happen.

292
00:28:55,983 --> 00:29:05,133
So that's why it allows that to happen. Because some people will do it that way and then they'll drag one of these clips up to make it B roll.

293
00:29:05,133 --> 00:29:12,243
But normally, you don't want to do that. So just hold the command or control key down while you're clicking and dragging and rearranging

294
00:29:12,243 --> 00:29:19,233
clips so that it expands the time line instead of overwriting part of one of those clips.

295
00:29:19,233 --> 00:29:25,023
So it's a very sort of interesting nuance to understand with from your probe trimming clips.

296
00:29:25,023 --> 00:29:28,953
This is pretty similar to what we're used to in something like Rush.

297
00:29:28,953 --> 00:29:37,323
Put your cursor on the edge of a clip and you get a little yellow marker and then you can click and drag and you can put this is

298
00:29:37,323 --> 00:29:44,673
another useful way to use the play had put the play head where you want to trim it to and then it'll snap to that play head.

299
00:29:44,673 --> 00:29:51,633
Makes it easier for you to edit. Now what's so nice is just like with Rush edits or nondestructive.

300
00:29:51,633 --> 00:29:55,983
So you can pull that back out at any time, which is fantastic.

301
00:29:55,983 --> 00:29:59,673
So that's really nice to know as well. All right.

302
00:29:59,673 --> 00:30:03,973
So editing practice. OK. We were well, actually.

303
00:30:03,973 --> 00:30:06,543
Was. We'll see if we have time. OK. So what do you guys think?

304
00:30:06,543 --> 00:30:11,163
So for the audio to yourself in your head, what should you do if you want to trim the audio?

305
00:30:11,163 --> 00:30:17,613
And if we want to make this audio the same length as the video, then we should put the play head at the end.

306
00:30:17,613 --> 00:30:21,643
And then we can trim this audio, too, right. So we did it.

307
00:30:21,643 --> 00:30:26,193
Yay! Let's go on. All right.

308
00:30:26,193 --> 00:30:31,743
No, we don't want to say changes. OK. All right.

309
00:30:31,743 --> 00:30:38,763
So, OK. So now we're gonna be actually exporting and then it's going to take us through another tintori, which is going to show some more effects.

310
00:30:38,763 --> 00:30:44,703
So this is just getting us really quickly started. This is how you bring clips in, trim them down and then export.

311
00:30:44,703 --> 00:30:53,343
That's all they're showing us here. So basically, you have to click the time line panel because you want to do actions to your project, right?

312
00:30:53,343 --> 00:30:58,493
So it has to be. That has to be active command. And does the same thing as.

313
00:30:58,493 --> 00:31:07,623
All export media command. OK, so we'll do that because they want us to do command, which is good to learn the shortcuts.

314
00:31:07,623 --> 00:31:13,083
That's totally fine. I'm not going to actually export it because I don't want it to take some time to do that.

315
00:31:13,083 --> 00:31:18,783
But typically this H to four is is a nice format to export to.

316
00:31:18,783 --> 00:31:23,013
And then they're telling us to do it at a medium bit rate.

317
00:31:23,013 --> 00:31:30,063
I am really not a videographer or have, you know, extensive experience in the different types of videos.

318
00:31:30,063 --> 00:31:36,363
But these are things that you could all look up and see if you're preparing media for certain venue.

319
00:31:36,363 --> 00:31:44,973
So for a certain, you know, way to deploy it, you could find out, OK, what format do they want it in and what's the best type of video?

320
00:31:44,973 --> 00:31:50,673
Do they want. What's the best quality? You know, depending on what you put into it.

321
00:31:50,673 --> 00:31:55,923
Is it HD? Should it be HD? You know, that kind of thing.

322
00:31:55,923 --> 00:32:00,783
And then you can decide. You can see there's all these presets to help you.

323
00:32:00,783 --> 00:32:07,653
So if you're exporting for a certain social media platform and should have it in here and you just choose it.

324
00:32:07,653 --> 00:32:14,943
But that part, you know, look up what you need to do, depending on where this video is going to end up later, it's going to end up on the Web.

325
00:32:14,943 --> 00:32:21,753
Do you really need HD? You know, maybe, maybe not. And then figure out you look up the ways that you can reduce the file side so it

326
00:32:21,753 --> 00:32:29,463
doesn't take forever to load and somebody is going to your Web page and so on. And then here's where you would change the file name.

327
00:32:29,463 --> 00:32:34,863
So you would click the output name and then change that. And then you could say, where is it going to be safe?

328
00:32:34,863 --> 00:32:38,193
So our options are to save locally first.

329
00:32:38,193 --> 00:32:44,223
And then once it's saved locally, you can do whatever you want with it after that until it what kind of format you want.

330
00:32:44,223 --> 00:32:48,573
That kind of thing. And then when you were done, you would hit export.

331
00:32:48,573 --> 00:32:55,503
OK. And but today we're not going to hit export because I don't want to take time to do that.

332
00:32:55,503 --> 00:33:00,963
But now you know how to export. So yeah, we did all that. OK, so we're gonna hit on next.

333
00:33:00,963 --> 00:33:05,553
Yeah, we're into that. Oh, I'm supposed to hit.

334
00:33:05,553 --> 00:33:09,333
Down here. Oh, no, there should be another one.

335
00:33:09,333 --> 00:33:12,933
Here it is. We want to continue with creative and stylistic edits.

336
00:33:12,933 --> 00:33:20,123
Now now that we know how to make a quick video. Let's learn some things that we can, you know, some cool effects that we can do with the video.

337
00:33:20,123 --> 00:33:25,143
OK. So we're not going to save changes. We're going to have it open a new file here.

338
00:33:25,143 --> 00:33:30,613
All right. So it wants us to preview the video. We've got the selected member spacebar.

339
00:33:30,613 --> 00:33:35,903
OK, so we're gonna watch the whole thing.

340
00:33:35,903 --> 00:33:47,963
So if you can't hear the audio, it's got to audio tracks now, so we have video and then we also have audio at the bottom down here.

341
00:33:47,963 --> 00:33:52,793
So we have a person speaking here. These are the two channels. So left and right.

342
00:33:52,793 --> 00:33:57,023
And then this is some background music as the second audio level.

343
00:33:57,023 --> 00:34:02,053
OK. So that's basically what we're gonna be kind of working to create, essentially.

344
00:34:02,053 --> 00:34:07,813
So. And notice that they sped up or slowed down the videos or learned how to do that.

345
00:34:07,813 --> 00:34:12,233
OK. So creating slow motion. So what we're going to do here is it wants us to do it.

346
00:34:12,233 --> 00:34:21,623
Make the changes to clip three. So what you do is a lot of times from repro, we'll have additional options available as a right menu.

347
00:34:21,623 --> 00:34:27,173
Click. So we're going to go to the right menu, click or it could be command or control click.

348
00:34:27,173 --> 00:34:37,313
If you're using like a trackpad or two fingers, click on a track tab. But what you can do here is there are lots more options down here.

349
00:34:37,313 --> 00:34:40,883
So if you don't see, make sure you scroll down to the bottom and look at all these options.

350
00:34:40,883 --> 00:34:45,173
We have to just individual clips inside of the time line panel. Wow, that's a lot.

351
00:34:45,173 --> 00:34:54,293
So let's try not to get overwhelmed and we're gonna pick speed duration. And then it's asking, OK, what how much what percent do we want to do?

352
00:34:54,293 --> 00:34:59,423
So in this material wants us to do 50 percent. So it's gonna go half as fast as it was before.

353
00:34:59,423 --> 00:35:05,543
Now, this is important to right here where it says REPL edit shifting trailing clips.

354
00:35:05,543 --> 00:35:09,743
We want to make sure that that is checked.

355
00:35:09,743 --> 00:35:18,293
If we don't check it, it'll do that thing that we talked about before when we had to hold down command and click and drag the clip.

356
00:35:18,293 --> 00:35:20,543
Otherwise it was gonna cover up that video.

357
00:35:20,543 --> 00:35:29,073
So if we did not check Reppel edit, it would make it slower, but then it wouldn't fill in the rest of the timeline the way it should be.

358
00:35:29,073 --> 00:35:33,263
It would shift the other clips appropriately. It would just cover them up.

359
00:35:33,263 --> 00:35:37,253
So we want to make sure that that is checked and then we're gonna hit.

360
00:35:37,253 --> 00:35:44,933
OK. So now it's showing us the F X. So it means there's an effect has been applied to that video.

361
00:35:44,933 --> 00:35:50,213
And now if we wanted to play that, then we could see essentially how much we slowed it down.

362
00:35:50,213 --> 00:35:54,683
Right. OK. So, yeah, we did that. So that's fun.

363
00:35:54,683 --> 00:36:00,983
Notice or we'll show it. We'll show it to you next. So now we're gonna it's telling us to see if we can set it back to normal.

364
00:36:00,983 --> 00:36:05,393
So, of course, we can meet this challenge. We're gonna go down and get the speed duration.

365
00:36:05,393 --> 00:36:11,183
And then we can change it back to 100 percent. But notice, there's also reverse speed.

366
00:36:11,183 --> 00:36:18,383
So you can reverse the video. So in this case, it was going like, you know, towards the water.

367
00:36:18,383 --> 00:36:22,493
If you wanted it to back up, you can reverse it. That's cool.

368
00:36:22,493 --> 00:36:28,403
Or you can have effects where somebody is going forward and then backward, you know, something like that would be pretty neat.

369
00:36:28,403 --> 00:36:34,223
So we can go back to 100 percent in our clip is back to normal. So we did that.

370
00:36:34,223 --> 00:36:42,443
Let's see what's next. All right. Are the essential graphics panels so essential graphics says things like titles.

371
00:36:42,443 --> 00:36:45,353
Stuff like that. So we're going to want to go to the window.

372
00:36:45,353 --> 00:36:50,183
So just like many of the other Adobe applications, if you don't see a panel that you need.

373
00:36:50,183 --> 00:36:55,103
You can go over to window and then we want the one called Essential Graphics.

374
00:36:55,103 --> 00:36:59,963
And then it's going to pop up over on our Right-Hand side. And now it's part of our panel.

375
00:36:59,963 --> 00:37:08,903
So if we need to kind of a just a little bit, you know, to kind of see more stuff, we can do that so we can kind of make some adjustments there.

376
00:37:08,903 --> 00:37:13,073
All right. So we opened the windows. This is how we can add titles.

377
00:37:13,073 --> 00:37:17,903
So titles are taxed so you can add all kinds of text.

378
00:37:17,903 --> 00:37:23,093
There are all kinds of options for titles and from your pro like amazing ones.

379
00:37:23,093 --> 00:37:29,473
Right. So you have lots of options. So because there's so many, you typically search for what you want.

380
00:37:29,473 --> 00:37:35,303
OK. So in this case, we want just to it's telling us to search for something like title.

381
00:37:35,303 --> 00:37:41,633
So we're and so it's a search for that. And then it wants us to use basic title.

382
00:37:41,633 --> 00:37:45,843
So let's go find basic title. Here we are.

383
00:37:45,843 --> 00:37:48,513
So we're going to use basic title.

384
00:37:48,513 --> 00:37:56,343
And then what we're gonna do is remember, we have to hold down the command key or the control key again, because the same issue.

385
00:37:56,343 --> 00:38:03,123
Right. We want it to ripple at it. We want it to push the other items and the timeline down instead of covering them up.

386
00:38:03,123 --> 00:38:08,133
So when we click and we get the hand, then we hold command or control down.

387
00:38:08,133 --> 00:38:12,873
And then we drag to the beginning of the timeline. And let's see if we can move this a little bit.

388
00:38:12,873 --> 00:38:17,343
A version we can see. You're really crunching here on the laptop, aren't we?

389
00:38:17,343 --> 00:38:22,053
We're making it work, though. And so, see, it shifted all those timelines over, all those clips over.

390
00:38:22,053 --> 00:38:29,893
Which is what we wanted to happen. So we just dragged that over to add it and then basically to edit the title.

391
00:38:29,893 --> 00:38:33,183
You know, making sure the play head is over that title essentially.

392
00:38:33,183 --> 00:38:38,823
So you can kind of see what's going on up here in the preview, in the preview area.

393
00:38:38,823 --> 00:38:46,623
And then you can click your title and then that pulls up sort of the options that you have to edit.

394
00:38:46,623 --> 00:38:55,063
So you can then double click to edit your title. So, you know, my movie or whatever it is and so on.

395
00:38:55,063 --> 00:39:02,433
Oh, we want to they wanted to save returning home. So we had to do that. Being a little cheesy here.

396
00:39:02,433 --> 00:39:10,593
So we can change the title to returning home. So we did that. And then there's all kinds of other things you can do, which is crazy stuff.

397
00:39:10,593 --> 00:39:12,723
Right. So here's your typeface.

398
00:39:12,723 --> 00:39:19,893
So if you wanted to make changes to the font styling, spacing, all that good stuff, that's usually one of the first things you want to do is that.

399
00:39:19,893 --> 00:39:26,333
So we did that. All right. Adding titles on top of. So now we don't want to be in the edit panel anymore.

400
00:39:26,333 --> 00:39:31,083
We want to be in the browser. So we're gonna go back to browse, essentially.

401
00:39:31,083 --> 00:39:38,423
And then they want us to find basic lower third. So let's go look for that one.

402
00:39:38,423 --> 00:39:46,243
And we're going to go find that. And here it is. And then what we can do, Steven, get some more space over here.

403
00:39:46,243 --> 00:39:49,573
Getting so crunched. It's crazy. Go. OK.

404
00:39:49,573 --> 00:39:53,713
And so what it wants us to do is notice that we have been working in V1.

405
00:39:53,713 --> 00:39:59,173
So video one, video truck one. This is video track two. We can add additional tracks and all that kind of stuff.

406
00:39:59,173 --> 00:40:03,673
Right. But this is what's defaulting to us, giving us a second one.

407
00:40:03,673 --> 00:40:10,333
So what they want us to do is take the basic lower third. And then they want us to drag it towards.

408
00:40:10,333 --> 00:40:17,243
Right. With clip number one. And now we've got it there with clip number one.

409
00:40:17,243 --> 00:40:21,893
And really what we can do is move the play head to the beginning of clip number one

410
00:40:21,893 --> 00:40:26,753
and then snap this title to the play had would be would be the best thing to do.

411
00:40:26,753 --> 00:40:31,313
We don't want those titles to really conflict with each other and so on.

412
00:40:31,313 --> 00:40:37,553
So we've got that. Yeah. So what you what we can do now is let's play this and see what we get.

413
00:40:37,553 --> 00:40:45,893
So we've got a title blank and now if we have put the title up on the top, then it fits on top.

414
00:40:45,893 --> 00:40:52,193
Then it shows on top of the video. Right. So just like Rush, you know, from your pro works top down.

415
00:40:52,193 --> 00:40:58,793
So whatever is on the top sections, the top tracks is what's going to be visible first.

416
00:40:58,793 --> 00:41:04,433
And then just like with other items, you can trim titles, too.

417
00:41:04,433 --> 00:41:11,733
And then to make the changes double click and so on. See what's next.

418
00:41:11,733 --> 00:41:18,013
No safe changes. OK, so transitions and the effects panel.

419
00:41:18,013 --> 00:41:26,893
So we're gonna go get the effects panel. So effects have lots of different choices that you can do from changing color.

420
00:41:26,893 --> 00:41:34,583
All kinds of neat stuff that you can do here. So let's see here.

421
00:41:34,583 --> 00:41:41,263
I need to move this so I can see what I'm doing here. Here we are. So the effects panel is let's move this over now.

422
00:41:41,263 --> 00:41:47,203
So we have some more space and we don't need this over here is big.

423
00:41:47,203 --> 00:41:51,373
We need that bigger so we can see what we're doing. Here we go.

424
00:41:51,373 --> 00:41:56,593
Perfect. All right. So over here, the effects panel and there are lots of effects.

425
00:41:56,593 --> 00:42:00,223
So you could, you know, kind of scroll through these and find one that you like.

426
00:42:00,223 --> 00:42:05,623
Or, again, there's so many that you often just search.

427
00:42:05,623 --> 00:42:13,163
So let's see what they want us to find. Cross, dissolve. OK, so once we see it pop up down here,

428
00:42:13,163 --> 00:42:24,893
it's available to us and it wants us to put a cross dissolve onto the V one track between clip one and clip three because my removed clip three.

429
00:42:24,893 --> 00:42:30,143
So technically, clip two now. So that's why it's almost not good to name them like that.

430
00:42:30,143 --> 00:42:37,703
You know, it's more like better to name like, you know, what is happening, you know, who's the subject and what's happening and that kind of thing.

431
00:42:37,703 --> 00:42:42,443
So we're gonna drag this cross, dissolve right here in between both.

432
00:42:42,443 --> 00:42:49,643
So now the effect that we are going to see is to the cross dissolve between those clips.

433
00:42:49,643 --> 00:42:58,463
Right. So we can drag clips between them at the beginning, like just at the front of a clip, just at the end of the clip or between two clips.

434
00:42:58,463 --> 00:43:02,093
Also transitions the also audio. Right.

435
00:43:02,093 --> 00:43:07,523
So you can kind of see where we're going with this. All right. So transitions practice.

436
00:43:07,523 --> 00:43:14,483
Yes. Let's go next to that. Once it's to see if we can also apply it to titles.

437
00:43:14,483 --> 00:43:18,983
Let's see. Of course, we can still apply it to titles. So now we have across the zone there.

438
00:43:18,983 --> 00:43:24,833
Right. So we did that. All right. What's next?

439
00:43:24,833 --> 00:43:28,143
Let's see what's next. OK, adjusting clip by.

440
00:43:28,143 --> 00:43:33,623
This was not working for me earlier, I suspect, because I'm on my laptop and it probably needs an update.

441
00:43:33,623 --> 00:43:37,403
So we will see what happens with this. I have got it.

442
00:43:37,403 --> 00:43:42,793
So we've got to work before. No problem. You know, this is a thing. And you can do this in a movie, too.

443
00:43:42,793 --> 00:43:52,193
You can do it in Rush. So typically you have an audio file that's got a sort of a white line in the middle of it here.

444
00:43:52,193 --> 00:43:55,963
And maybe I can get it to work for me. This looks a little. Yeah.

445
00:43:55,963 --> 00:44:00,643
This looks a little better than it was earlier. Perfect. So right in the middle is the white line.

446
00:44:00,643 --> 00:44:12,353
That basically is the volume level. And and so it's telling us to say around six negative six, if I can get it that close.

447
00:44:12,353 --> 00:44:17,393
Right. That's pretty close. Negative six decibels. Here we go.

448
00:44:17,393 --> 00:44:22,343
OK, great. So you can adjust the volume of an entire audio track.

449
00:44:22,343 --> 00:44:29,393
So this is one track is just showing left and right the same time. So if you needed to separate from right, then you could.

450
00:44:29,393 --> 00:44:35,363
And then this is the person talking. So that's why they wanted all the audio to be lower at that point.

451
00:44:35,363 --> 00:44:39,173
So we were able to adjust the clip volume. So it worked. Yeah.

452
00:44:39,173 --> 00:44:44,453
That's awesome. All right. So right now, this as the music ends abruptly at the end.

453
00:44:44,453 --> 00:44:49,073
Right. So just kind of like cuts off. That's kind of awkward, right?

454
00:44:49,073 --> 00:44:54,773
So what can we do about that? Well, let's say we can go add any fact.

455
00:44:54,773 --> 00:45:03,233
Right. So let's go see what we can do over here. And then we need to go to the effects window again.

456
00:45:03,233 --> 00:45:12,173
We should have it. Here we go. Now I can see it. And then you can also go to go to effects.

457
00:45:12,173 --> 00:45:16,883
There we go. And then we've got it under audio transitions.

458
00:45:16,883 --> 00:45:20,303
Crossfade. And the one they want us to uses exponential fade.

459
00:45:20,303 --> 00:45:24,713
But of course, you could try these different fades and that kind of thing.

460
00:45:24,713 --> 00:45:32,453
Or look up. What are the most popular types of fades that people use using from your pro and then apply those and then search for those and so on,

461
00:45:32,453 --> 00:45:37,163
because there's a lot in here. So let's do the fade here and then.

462
00:45:37,163 --> 00:45:41,183
Now let's test it and see. Much better, right?

463
00:45:41,183 --> 00:45:45,583
OK. So much, much better so you can fade out. Audio now.

464
00:45:45,583 --> 00:45:50,733
Great. All right. Let's see what's next. The color panel.

465
00:45:50,733 --> 00:45:59,043
OK. Very good. So we're gonna go to a window and then we're going to go to momentary color.

466
00:45:59,043 --> 00:46:03,213
Let's go get this. There we go. Let's move this over.

467
00:46:03,213 --> 00:46:07,053
Let's move this over. Moving panels is what we're about today.

468
00:46:07,053 --> 00:46:12,213
So we can use our screen, our tiny screens. Here we go.

469
00:46:12,213 --> 00:46:15,993
OK. Very good. All right. So we have gotten the window luminary color.

470
00:46:15,993 --> 00:46:20,943
Let's see what they want us to do. White balance. Let's see if we can get it to do what we want.

471
00:46:20,943 --> 00:46:26,493
So he wants us to go to clip three. So we've got clip three on the play head on it.

472
00:46:26,493 --> 00:46:33,123
And it's basically selected. Right. So just like anything else, if you want to make changes to a clip, you slip that clip.

473
00:46:33,123 --> 00:46:40,383
That's why it's important to think about your clips and where you're cutting them and using that command or control option to cut,

474
00:46:40,383 --> 00:46:45,003
because then you could apply certain effects just to that clip because you cut it.

475
00:46:45,003 --> 00:46:53,433
And then when people view this, it won't look like an edit said, you know, a separate clip, it'll just be old, smoothed out and together.

476
00:46:53,433 --> 00:47:01,833
So you putting command, you putting those splits in there doesn't do anything until you actually do something to clip to make it look different.

477
00:47:01,833 --> 00:47:05,673
And so on. OK. So it's going to be smooth. OK.

478
00:47:05,673 --> 00:47:13,413
So now what? We'll see what we're doing. We want to go to basic correction. So each of these have little menus, additional menus that we can do.

479
00:47:13,413 --> 00:47:18,753
And then the white balance selector. We've selected the white balance selector.

480
00:47:18,753 --> 00:47:27,333
And it wants us to click on the white clouds. So if we want to, like, help balance this out, then we click on the white clouds.

481
00:47:27,333 --> 00:47:30,843
And it didn't make that much change. It probably wasn't too bad.

482
00:47:30,843 --> 00:47:36,723
So but we did it in case you needed to sort of adjust, you know, some things with white balance.

483
00:47:36,723 --> 00:47:41,823
Then you can do that. But of course, there are plenty other corrections to do.

484
00:47:41,823 --> 00:47:47,243
And here they can be done. There's all sorts of creative under the creative time.

485
00:47:47,243 --> 00:47:51,333
Top there. Yes. Question to white balance then.

486
00:47:51,333 --> 00:47:55,653
Are you looking for something white in the clip to select?

487
00:47:55,653 --> 00:48:05,163
Yes. So technically, you're telling it take all of the other whites and adjust them to be kind of similar to this white that is here,

488
00:48:05,163 --> 00:48:13,593
like use that one to adjust all of the other whites so that the other whites will basically be like on if you're mad,

489
00:48:13,593 --> 00:48:19,583
if you imagine sort of like a white color palette that's sort of evenly spread out.

490
00:48:19,583 --> 00:48:23,703
And that's essentially what you're telling it to do based upon one of the whites

491
00:48:23,703 --> 00:48:27,543
that you've selected and take all the other whites and sort of balance them out.

492
00:48:27,543 --> 00:48:31,353
So they're on a more even palette of light.

493
00:48:31,353 --> 00:48:35,313
Yeah. Good question. That's great. Awesome.

494
00:48:35,313 --> 00:48:43,503
But there's all kinds of things also under the creative settings that you can do the here's where you can do effects like make your film,

495
00:48:43,503 --> 00:48:47,793
make it look faded, sharpen it, make it look more vibrant.

496
00:48:47,793 --> 00:48:51,173
These are things are not really telling you in the tutorial or just having you try the color wheel,

497
00:48:51,173 --> 00:48:56,043
but saturation, you know, make it look, you know, hyper clear.

498
00:48:56,043 --> 00:49:02,763
Brighter color and so on. And then tend to balance, you know, you can help balance out the tense.

499
00:49:02,763 --> 00:49:07,053
There's all kinds of stuff that you can do to kind of help correct your video.

500
00:49:07,053 --> 00:49:13,323
Now, nothing. It's it's time consuming to have to go back and do color correction and things like that.

501
00:49:13,323 --> 00:49:22,233
Right. This is why professionals do it. People who do this all day long, you know, do this to make the videos look perfect.

502
00:49:22,233 --> 00:49:27,843
So it's just best if you can capture good video in the first place so you don't

503
00:49:27,843 --> 00:49:33,333
have to try to do some of these corrections is the is the important things.

504
00:49:33,333 --> 00:49:40,013
And then there's also these color wheels where you can kind of adjust.

505
00:49:40,013 --> 00:49:45,513
You know, you can kind of give it a different tinge, you know, depending on what you need.

506
00:49:45,513 --> 00:49:52,613
So all kinds of neat things you can do there. So you get some ideas of this is changing the midterms, is changing the highlights.

507
00:49:52,613 --> 00:49:59,163
This is change in the shadows. So you can do all kinds of different things here depending on what you needed to do.

508
00:49:59,163 --> 00:50:06,153
So that's just being creative with color. And then there's some more thing definitely under basic correction.

509
00:50:06,153 --> 00:50:13,563
There's a lot of things. And you would usually do things more like temperature, you know, makes things look warmer or cooler.

510
00:50:13,563 --> 00:50:18,323
That's a very easy thing to use. And then tent also, it's not showing up good.

511
00:50:18,323 --> 00:50:23,823
You're so messed around with it too much. But those are maybe the two that I would start with.

512
00:50:23,823 --> 00:50:29,343
You know, as far as making changes here to your video, again, you don't want to have to spend too much time here.

513
00:50:29,343 --> 00:50:33,183
So unless you just try and have some sort of creative effect, which is which.

514
00:50:33,183 --> 00:50:39,873
Of course. And then there's also things like Vignette that you can do so you can make it look old timey and so on.

515
00:50:39,873 --> 00:50:46,023
So this is where you would find all those nose without effects, panel, all those neat things.

516
00:50:46,023 --> 00:50:54,973
Fantastic. Well, that takes. Through the entire tutorial of Adobe premiere pros, so you guys are awesome job with that.

517
00:50:54,973 --> 00:50:58,783
And then they're challenging you to start your own project, which of course you can.

518
00:50:58,783 --> 00:51:04,213
That will be great. And so we'll just go back home here and get out of this.

519
00:51:04,213 --> 00:51:09,103
So we're back on. From your pro home page here.

520
00:51:09,103 --> 00:51:17,233
And of course, you would either start a new project from here or you would open a project that you've previously started,

521
00:51:17,233 --> 00:51:23,323
impro open up from your Rush project. So if you've got a rush project that you can use, feel free to do that.

522
00:51:23,323 --> 00:51:29,533
It's just copying those things over. Oh, and same thing with that media panel that's down here on the left.

523
00:51:29,533 --> 00:51:36,073
When you move the media over into your timeline panel, it's it's copying it so you're not.

524
00:51:36,073 --> 00:51:40,783
If you make edits over here in your in your timeline, you're not changing that original media.

525
00:51:40,783 --> 00:51:43,443
You still have that to access if you really screw something up.

526
00:51:43,443 --> 00:51:48,373
You can still pull it in and stop messing with your master file, essentially is what it's doing.

527
00:51:48,373 --> 00:51:53,483
And then team project, we talked about that. That's a whole nother sort of different setup for that.

528
00:51:53,483 --> 00:51:57,943
But it is really cool. And then there's even more in-depth tutorials here.

529
00:51:57,943 --> 00:52:06,283
But what I would also recommend here would be on the presentation for today.

530
00:52:06,283 --> 00:52:09,943
This is a great little tutorial here. Options here.

531
00:52:09,943 --> 00:52:15,563
And they have some sample videos for you to use and they go kind of more into that color correction and things like that.

532
00:52:15,563 --> 00:52:17,983
So this is very good to jump into next.

533
00:52:17,983 --> 00:52:27,313
And then also this Adobe student ambassador is going to be doing another workshop on October 14th, and it's available for signing up right now.

534
00:52:27,313 --> 00:52:32,503
And then also they have additional approach tutorials from Adobe, which are also very good.

535
00:52:32,503 --> 00:52:35,563
So you can go there and kind of start with more began or ones.

536
00:52:35,563 --> 00:52:42,883
And then keep working your way up if you're interested in how do you do captioning and from your approach, this is how you would do it.

537
00:52:42,883 --> 00:52:50,503
Now for captioning, we have some options on campus. You can create a project and premier pro and then you could upload it to

538
00:52:50,503 --> 00:52:55,093
Panopto and then order the captions prompted as really good job with captions.

539
00:52:55,093 --> 00:53:00,523
But this also shows you how to do captioning and premiere pro.

540
00:53:00,523 --> 00:53:05,593
It's a little bit more of a manual process, but if it's a short video and you don't have them a words,

541
00:53:05,593 --> 00:53:10,873
not a big deal, then it's embedded in the video, which is in the file, which is great.

542
00:53:10,873 --> 00:53:18,343
After effects is a whole another application that helps you create video effects, motion graphics.

543
00:53:18,343 --> 00:53:25,153
So even more effects that you can then bring into premier pro and do some really neat things with.

544
00:53:25,153 --> 00:53:31,903
But it is kind of a whole nother application that's even a little bit more even more in-depth.

545
00:53:31,903 --> 00:53:40,873
I would say. But if you're interested in that and you need some really cool, like text flying effects, you know, Pro has some already in it.

546
00:53:40,873 --> 00:53:45,583
But then if you need something really crazy, then after effects would be your place to go next.

547
00:53:45,583 --> 00:53:49,723
Also, just for helping you with video projects in general.

548
00:53:49,723 --> 00:53:55,843
This is a link to a free teleprompter screen. So you can you have a secondary screen you could use.

549
00:53:55,843 --> 00:54:00,083
You just copy and paste your copy that you want to say into it.

550
00:54:00,083 --> 00:54:04,873
Tell it how fast you want it to scroll on the screen and you basically turns whatever screen you have,

551
00:54:04,873 --> 00:54:11,053
like a computer or tablet into a free teleprompter. So it's pretty neat.

552
00:54:11,053 --> 00:54:19,483
Whenever you're working with media in general, just make sure whatever you're putting into your video, you know that you have the right to use.

553
00:54:19,483 --> 00:54:27,133
If you have people in your video that they you really need to have their permission for them to be in your video,

554
00:54:27,133 --> 00:54:34,543
especially if you're going to be publishing it. And then same thing goes with music, any music that you put in there.

555
00:54:34,543 --> 00:54:39,553
And I think Throe has some that you can bring in that's royalty free.

556
00:54:39,553 --> 00:54:43,283
And then there's a few other places where you can get some royalty free music.

557
00:54:43,283 --> 00:54:47,623
Ben Sound is one of them. But you may still have to tribute.

558
00:54:47,623 --> 00:54:52,813
I think Ben Zounds still makes you a tribute. Like, even if you just say got it from Ben, sound like he used to be super specific.

559
00:54:52,813 --> 00:55:01,183
But it tells you on their site. So just pay attention to that. You can't just take other people's music and put it into your video and republish it.

560
00:55:01,183 --> 00:55:07,453
Especially it's violating copyright. So just make sure you're keeping all in line with all those things.

561
00:55:07,453 --> 00:55:13,453
And captioning is important because we want to be inclusive. And again, Panopto is an option for that as well.

562
00:55:13,453 --> 00:55:18,163
Or if your video is going to be living on YouTube and that's where you want it to end up.

563
00:55:18,163 --> 00:55:24,013
YouTube has its own captioning, which is also free, which it does a pretty good job, too, of captioning.

564
00:55:24,013 --> 00:55:30,373
And this is how to caption and put up to it if you haven't done it, like externally by uploading media first.

565
00:55:30,373 --> 00:55:35,803
This is how it ended up. And then also, as you're getting into video, these are just some basic video shots.

566
00:55:35,803 --> 00:55:43,123
This is a nice Web site that explains what are some basic shots, like a a close up and extreme close up.

567
00:55:43,123 --> 00:55:47,263
A short a long shot. Extreme long shot.

568
00:55:47,263 --> 00:55:52,093
So typically when you're. Telling a story you want to start with, sort of like the overarching idea.

569
00:55:52,093 --> 00:55:55,873
So if we were telling about something on campus, we would start with, you know,

570
00:55:55,873 --> 00:56:01,693
maybe a wide view of campus and then we would focus in on one building and then maybe focus in on one hallway,

571
00:56:01,693 --> 00:56:06,403
you know, and then focus in on one statue that happens to be in there. And then we tell the story of the statue or whatever it is.

572
00:56:06,403 --> 00:56:13,903
Right. So thinking about how you constructing your story, other good ways to get ideas for creating video is just by watching other video.

573
00:56:13,903 --> 00:56:18,973
So this commercial actually does a great job of showing you some very basic shots.

574
00:56:18,973 --> 00:56:26,343
But it looks really nice because the way they've done it and they've used some high quality capturing and just taking,

575
00:56:26,343 --> 00:56:31,993
you know, video of, you know, really nice things like flowers in the breeze and stuff like that.

576
00:56:31,993 --> 00:56:36,373
And it's just the way they've shot it looks interesting because they've used different perspectives.

577
00:56:36,373 --> 00:56:42,343
So incorporating that. And then this is another video about different types of cuts.

578
00:56:42,343 --> 00:56:43,783
So you can do this type of thing.

579
00:56:43,783 --> 00:56:50,923
You can have your bring your video in and then you can have the audio keep extending while you were having additional video

580
00:56:50,923 --> 00:56:59,233
come in so that the audio begins while maybe the title is on and then it goes into your video of the person talking.

581
00:56:59,233 --> 00:57:05,173
Right. You seen probably that used in documentaries and things like that. So those are called Jay Cuts and Cuts.

582
00:57:05,173 --> 00:57:10,843
But he talks about nine basic cuts that you can use as an editor and then all these things to help you with copyright.

583
00:57:10,843 --> 00:57:15,943
You still have access to Adobe stock for images, which is great.

584
00:57:15,943 --> 00:57:23,683
Pixels has royalty free videos to download and use. Again, just look at their attribution that you need to do if you need to do it on,

585
00:57:23,683 --> 00:57:31,083
depending on what the license says and depending on how you're going to be reposting it and that kind of thing.

586
00:57:31,083 --> 00:57:35,923
But they have some stock video that you can just use, which is very nice.

587
00:57:35,923 --> 00:57:40,453
And then YouTube audio library if if you're it is going to live on YouTube. And that's allowed.

588
00:57:40,453 --> 00:57:47,383
And then Ben sound again, attribute that kind of thing. And then Adobe puts on some film festivals from time to time.

589
00:57:47,383 --> 00:57:59,353
So contests that you can join, which is fun. And also, Behance is another great Web site to visit.

590
00:57:59,353 --> 00:58:07,633
It shows you really like artists. So live artists will demo for you, which is really cool.

591
00:58:07,633 --> 00:58:15,073
So definitely you can check that out for, you know, premier pro and see what are some tips that they're giving and former pro.

592
00:58:15,073 --> 00:58:19,903
So that is the essence of our premier pro workshop for today.

593
00:58:19,903 --> 00:58:28,063
If you guys have a couple of minutes and could take a feedback survey for me, I've just posted it in the link.

594
00:58:28,063 --> 00:58:32,773
It's also here as a link on the presentation if you've got that open on your computer.

595
00:58:32,773 --> 00:58:34,543
It'll take about two minutes.

596
00:58:34,543 --> 00:58:40,843
This is a new workshop, so we're always happy to receive some feedback, see how we can make it better and things like that.

597
00:58:40,843 --> 00:58:47,293
And I'm available to hang around for a few minutes if there's any questions.

598
00:58:47,293 --> 00:58:52,653
But hopefully that gives you guys a good kind of start. An overview into from your pro, so.

599
00:58:52,653 --> 00:58:56,088
Thanks so much for you guys coming today. I really appreciate it.